Opinion & reviews
Opinion & reviews
Editorials, critical reviews, analyses, commentaries, and viewpoints on the contemporary art world.
Most recent stories
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Adam Szymczyk on documenta 14, Politics, and Curatorial Freedom
opinion-review
In an interview coinciding with the opening of PLATO in Ostrava, curator Adam Szymczyk reflects on his experience directing documenta 14, the political fallout, and his curatorial…
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Christian Caliandro's letter to a young artist: resist and study
opinion-review
In a letter published on Artribune, art historian Christian Caliandro addresses a young artist, urging them to reject the notion of an 'art world' or 'art system' that dictates…
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Tourism's impact on Italian cities: a critical analysis
opinion-review
Stefano Monti argues that Italy's over-reliance on tourism as an economic driver is a strategic mistake. He describes how cities transform their economies to cater to tourists,…
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Tommaso Pincio critica Loro 1 di Sorrentino come banale e pornografico
opinion-review
In un articolo pubblicato su Artribune, lo scrittore Tommaso Pincio (alias Marco Colapietro) stronca il film Loro 1 di Paolo Sorrentino, paragonandone la banalità estetica a…
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Francesco Dal Co: The Elusive Architect and His Ideological Shifts
opinion-review
Luigi Prestinenza Puglisi examines the influential Italian architect Francesco Dal Co in Artribune. In 1976, Dal Co co-authored a widely acclaimed history of contemporary…
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Jennifer Riley reviews Laura Newman's painting Slice from 2017
opinion-review
Jennifer Riley authored a review of Laura Newman's painting Slice, created in 2017. The artwork measures 30 by 40 inches and utilizes Flashe, ink, and acrylic on linen. Victoria…
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Lilly Wei Reflects on Stephen Antonakos's Neon Proscenium at Neuberger Museum
opinion-review
Lilly Wei delivered remarks at a New York Studio School panel on March 20, 2018, alongside Phong Bui, Vincent Katz, Daniel Marzona, and Helaine Posner. She discussed Stephen…
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Lilly Wei Reviews Stephen Antonakos Exhibition
opinion-review
Lilly Wei published a review of Stephen Antonakos's work on May 3, 2018. The article appeared on artcritical.com, a platform powered by WordPress. Antonakos, known for his neon…
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Ceramic works by Kahlil Robert Irving and Cheryl Ann Thomas featured in exhibition review
opinion-review
An exhibition review published on May 2, 2018, includes an installation photograph showcasing ceramic artworks by Kahlil Robert Irving and Cheryl Ann Thomas. Irving's piece,…
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Critical conversation on Huma Bhabha's Met commission and New York exhibitions
opinion-review
On Wednesday, May 9, 2018, from 7 to 9 PM, the Brooklyn Public Library and artcritical.com hosted an evening of critical art discussion. Eva Díaz, Phoebe Hoban, and Gregory Volk…
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Italian Women in Art Speak Out on #MeToo
opinion-review
Ten women from the Italian art world—including directors, artists, curators, and critics—share their perspectives on the #MeToo movement in an article published on Artribune…
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Christian Caliandro critica l'irresponsabilità degli artisti contemporanei
opinion-review
In un editoriale pubblicato su Artribune, Christian Caliandro, storico dell'arte contemporanea e docente all'Accademia di Belle Arti di Firenze, attacca la mancanza di…
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Cultural Institutions Must Rethink Time Management as a Strategic Priority
opinion-review
Cultural organizations are facing a structural reduction in planning horizons, shifting from five-year to two-year or even ad-hoc budgets due to declining public funding. The…
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Christopher Bailey critica l'industria della moda mentre lascia Burberry
opinion-review
In un'intervista rilasciata al New York Times il 18 febbraio 2018, Christopher Bailey, ex direttore creativo di Burberry, ha espresso una forte critica nei confronti del settore…
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David Lynch's 'Twin Peaks: The Return' as the First Masterpiece of the 21st Century
opinion-review
Christian Caliandro argues that David Lynch's 'Twin Peaks: The Return' (2017) is the first true cinematic masterpiece of the 21st century, surpassing other significant films like…
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Maurizio Cattelan's Strategic Retreat from the Museum
opinion-review
Roberto Ago's critical analysis of Maurizio Cattelan's career argues that the artist's 2011 work "All"—a fire extinguisher—was not a retirement but a strategic move to evade…
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Christian Caliandro's Critical Reflections on Contemporary Italy
opinion-review
In this opinion piece published on Artribune, Christian Caliandro offers a scathing critique of contemporary Italian society, contrasting it with the 1990s. He opens with quotes…
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Marina Valensise Argues Culture Is a Sound Investment for Italy
opinion-review
Marina Valensise, former director of the Italian Cultural Institute in Paris, argues that culture is a vital investment for Italy, not a cost to be cut. Writing in Artribune, she…
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Paul Thomas Anderson’s 'Phantom Thread' and 1950s Fashion Explored
opinion-review
The article examines 1950s fashion through Paul Thomas Anderson's 2017 film 'Phantom Thread' (Italian title 'Il filo nascosto'), which won an Oscar for costume design. The film…
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Renato Barilli chiede una nuova identità per il MUDEC di Milano
opinion-review
Il critico d'arte Renato Barilli propone una ridefinizione dell'identità del MUDEC di Milano, suggerendo che il museo si concentri esclusivamente sull'arte contemporanea,…
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Antonio Natali on educating the public through lesser-known art
opinion-review
In a piece for Artribune, Antonio Natali, the former director of the Uffizi, examines the role of education in significant exhibitions, referencing his own curated event "Il…
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Robert C. Morgan's Critical Analysis of Ted Stamm's Artistic Legacy
opinion-review
Robert C. Morgan examines the work of Ted Stamm, an artist known for his geometric abstractions and systematic approach to painting. Stamm's practice, which spanned the 1970s and…
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Robert C. Morgan Reviews Ted Stamm Exhibition at Lisson Gallery
opinion-review
Robert C. Morgan reviewed an exhibition of Ted Stamm's work at Lisson Gallery. The show included Stamm's 1978 painting "78-W-4 (Wooster)", an oil on canvas measuring 60 x 96…
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Shirin Neshat: Feminism in the Middle East Is Stronger Than in the West
opinion-review
Shirin Neshat (born 1957) has criticized the West for its superficial treatment of gender discrimination. In an interview with the Louisiana Museum of Modern Art, the Iranian…
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Persistent Gender Inequality in Brazilian Art Scene Despite Increased Visibility of Women Artists
opinion-review
March highlights the enduring underrepresentation of women in Brazil's art institutions, where no national collection holds more than 30% of works by female artists according to…
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The future of libraries: public service or obsolete?
opinion-review
Public library systems have long struggled with funding cuts, leading to a necessary rethinking of self-referential services. The debate often wrongly focuses on user fees, but…
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Christian Caliandro on Art, Criticism, and the Construction of Normality
opinion-review
Christian Caliandro, an art historian and cultural studies scholar teaching at the Accademia di Belle Arti di Firenze and a member of the scientific committee of Symbola…
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Reggia di Caserta: Beyond the Felicori Effect, Structural Needs and Territorial Collaboration
opinion-review
The Royal Palace of Caserta has seen significant improvements in tourism and strategic positioning under director Mauro Felicori, largely due to effective communication. However,…
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Andrew L. Shea Reviews Steve DiBenedetto's Work on artcritical
opinion-review
Andrew L. Shea published a review of Steve DiBenedetto's work on artcritical on April 6, 2018. The article was posted at 11:52 PM and is filed under an unspecified category.…
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Andrew L. Shea reviews Steve DiBenedetto's painting 'Inverse Evidence' from 2018
opinion-review
A review by Andrew L. Shea examines Steve DiBenedetto's 2018 painting 'Inverse Evidence'. The artwork, measuring 11 by 14 inches, was executed in oil on linen. Derek Eller Gallery…
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Grandi mostre: strategie per nuovi pubblici e arte contemporanea
opinion-review
Stefano Monti, partner di Monti&Taft, riflette sul ruolo delle grandi mostre nell'avvicinare il pubblico all'arte contemporanea. Le grandi mostre oggi svolgono due funzioni…
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Walter Robinson reviews Robert Goldman's 1983 painting Untitled (Girl with Hand on Hip)
opinion-review
Walter Robinson published a review of Robert Goldman's 1983 painting Untitled (Girl with Hand on Hip) on artcritical.com. The artwork, created by the artist also known as Bobby G,…
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Artcritical Panel Discussion on New Museum Triennial and American Academy Invitational
opinion-review
On Tuesday, April 10, 2018, from 7-9 PM, artcritical hosted a panel discussion moderated by David Cohen. Participants included Jessica Bell Brown, Jarrett Earnest, and David…
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Christian Caliandro's Poetic Meditation on Decay and Memory in Castellaneta Marina
opinion-review
Christian Caliandro, an art historian and cultural critic, publishes a lyrical essay on Artribune reflecting on the decay of Castellaneta Marina, a seaside town in southern Italy.…
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Italian archaeology circular creates barriers for private excavation initiatives
opinion-review
A critical analysis of Italy's Circular No. 6 of 2016 argues that its restrictive interpretation of archaeological excavation activities undermines the Faro Convention and creates…
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Louvre may loan Mona Lisa despite conservation risks
opinion-review
French culture minister Françoise Nyssen has mandated that the Louvre Museum may loan the Mona Lisa, citing a need to combat "cultural segregation." The decision has sparked…
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Critique of Post-Truth Politics in Italian Cultural Management
opinion-review
Stefano Monti, writing for Artribune, challenges the cynical view that cultural policy must succumb to post-truth politics. He critiques director Tonelli's editorial suggesting…
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French press accuses Villa Medici of excessive commercialism
opinion-review
Since 1803, Villa Medici has served as the French Academy in Rome, but it is now embroiled in controversy. A report from Le Monde reveals that a group of former residents has…
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Finnish Education Model Contrasted with Brazilian Challenges in Opinion Piece
opinion-review
An opinion piece contrasts Finland's educational success with Brazil's struggles, analyzing systemic differences. Finland's approach emphasizes teacher autonomy, minimal…
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Christian Caliandro on Writing as Network of Connections in Contemporary Art
opinion-review
Christian Caliandro, an art historian and professor at the Accademia di Belle Arti di Firenze, explores the concept of writing as an "infrastructure of relationships" in…
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