Wynnie Mynerva explores love as political survival in Berlin Gallery Weekend exhibition

During Berlin Gallery Weekend, Wynnie Mynerva showcases 'Volveré y seré millones' at Société, focusing on love as a form of collective care. The exhibition integrates Andean principles such as Ayni, highlighting the importance of community involvement. A key video, 'El amor en tiempos de colonialismo' (2026), delves into the experiences of migrant bodies and the role of strategic marriages in colonial settings. Mynerva critiques the notion of romantic love as a capitalist idea, juxtaposing it with indigenous Abya Yala views prior to 1492. The display features a mud wall painting depicting the Inkarri myth. Reflecting on her migration from South America to Berlin eight months ago, Mynerva questions the white bourgeois roots of European feminism and connects contemporary violence in Palestine to colonial legacies, discussing how strategic marriages influence legality and survival. The title alludes to Túpac Katari's anti-colonial proclamation.