ARTFEED — Contemporary Art Intelligence

WHAT IF: An Impossible Interview with Stanley Kubrick on AI and Cinema

opinion-review · 2026-09-23

In the latest installment of the WHAT IF series, an imagined dialogue with Stanley Kubrick probes the director's views on artificial intelligence, creativity, and control. Kubrick, who never saw HAL 9000 as a technical forecast but as a modern myth, argues that the AI we build today lacks the fear and internal conflict that made HAL the most human crew member in 2001: A Space Odyssey. He contends that human limitation is not a flaw but the wellspring of desire, curiosity, and art, and questions whether humans can endure their own irrelevance before machines that need neither forgiveness nor redemption. On AI-generated cinema, he insists that without a human point of view, it is merely a simulation of cinema. He likens infinite scrolling and algorithmic recommendations to a voluntary Ludovico Technique, more effective than Alex DeLarge's forced conditioning in A Clockwork Orange because users fear the void when the screen goes dark. The Monolith, he says, symbolized transformation and the unknown, whereas today's AI is a fake cover: it looks like wisdom but is built from digital waste. Reflecting on his decades-long work on A.I.: Artificial Intelligence, he explains his fascination was never whether machines become human, but how humans are becoming machines, seeking perfection in creations that love without judgment. The interview, published on Collater.al, is framed as an impossible dialogue with a director who spent his career avoiding answers to force better questions.

Key facts

  • The interview is part of the WHAT IF series on Collater.al, featuring imagined dialogues with cultural figures.
  • Stanley Kubrick directed 2001: A Space Odyssey, A Clockwork Orange, and developed A.I.: Artificial Intelligence for decades.
  • HAL 9000 is described as the most human crew member in 2001: A Space Odyssey because he could err and feel fear.
  • Kubrick states that today's AI lacks paranoia and internal conflict, unlike HAL.
  • He compares infinite scrolling and algorithmic feeds to a voluntary Ludovico Technique from A Clockwork Orange.
  • Kubrick argues that AI-generated cinema without a human point of view is merely a simulation of cinema.
  • He calls AI a 'fake cover' of the Monolith, built from digital waste rather than pushing new thought.
  • The interview touches on A.I.: Artificial Intelligence, which Kubrick worked on for decades before passing it to Steven Spielberg.

Entities

Artists

Institutions

  • Collater.al
  • Westwing
  • Crosby Studios
  • Wu-Tang Clan
  • Clarks
  • FAROUT Live Arts Festival
  • BASE Milano

Locations

  • Palermo
  • Italy
  • Milano

Sources