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Vincent Falsetta's Timeless Abstraction

opinion-review · 2026-07-05

In a personal essay for Glasstire, an artist reflects on the enduring power of Vincent Falsetta's painting "EQ 18 – 1" (2018), an oil on canvas work that transcends specific art historical movements. The author, a former student of Falsetta at the University of North Texas, praises the piece for its seamless integration of subject, material, and form, describing it as a landscape with seismic optical vibrations. Falsetta, a Texas-based artist in Denton, is represented by Conduit Gallery in Dallas; the referenced painting is in a private collection west of Houston. The essay cites Roberta Smith's 2009 review "Going All Out, Right to the End" and mentions Vernon Fisher's concept of the "X-Factor." A monograph on Falsetta is tentatively scheduled for summer 2027.

Key facts

  • Vincent Falsetta's painting 'EQ 18 – 1' (2018) is oil on canvas, 48 x 44 inches.
  • The author studied under Falsetta at the University of North Texas.
  • Falsetta is based in Denton, Texas, and shows at Conduit Gallery in Dallas.
  • The painting is in a private collection in a town west of Houston.
  • The essay references Roberta Smith's 2009 review 'Going All Out, Right to the End'.
  • Vernon Fisher is quoted on the unquantifiable 'X-Factor' in art.
  • A monograph on Falsetta is tentatively scheduled for summer 2027.
  • The essay was published on Glasstire on July 5, 2026.

Entities

Artists

Institutions

  • Glasstire
  • Conduit Gallery
  • University of North Texas

Locations

  • Denton
  • Dallas
  • Houston
  • Texas

Sources