Victoria Keddie's White Noise Project Explores Phonetic Language Through Sound and Data
Artist Victoria Keddie has released 'Pshal, P'shaw' as part of the White Noise project, a collaboration between Raster Media and the Max Planck Institute for Empirical Aesthetics in Frankfurt. The work investigates the sonic qualities of American English diphthongs through recordings with international participants, examining how speech sounds are physically produced. Keddie transforms phonetic elements into an immersive artistic experience that connects sound materiality with linguistic architecture, inspired by Hermann Finsterlin's speculative designs. The project contributes to understanding sensory perception, language expression, and cultural identity.
Key facts
- Victoria Keddie released 'Pshal, P'shaw' through the White Noise project
- The project studies American English diphthongs using recordings from diverse participants
- Collaboration involves Raster Media and the Max Planck Institute for Empirical Aesthetics in Frankfurt
- Work examines physical production of speech sounds in mouth and throat
- Inspired by architect Hermann Finsterlin's speculative architectural concepts
Entities
Artists
- Victoria Keddie
- Hermann Finsterlin
Institutions
- Max Planck Institute for Empirical Aesthetics
- Raster Media
- E.S.P. TV
Locations
- Frankfurt