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Tia Liu's 'What If We Were Lovers?' Examines Dating App Intimacy Through Film Photography

publication · 2026-10-04

Tia Liu's ongoing project 'What if we were lovers?', initiated in 2023, uses film photography to document real dating experiences with full consent, capturing intimacy as it is created and lost. The work stands out from other dating app photography by avoiding irony and instead adopting a patient, vulnerable approach. Liu, who earned an MA from University of the Arts London in 2024 and a BA from Jinan University in Guangzhou, works with photography and moving image, exploring themes of intimacy, identity, and emotional vulnerability. The photographs are taken during actual dates by Liu, her date, or sometimes a stranger, emphasizing shared authorship. The visual style draws from consumer film photography, with blurred sun, underexposure, and compact camera aesthetics. An artist book, designed to smartphone scale, complements the series, divided into chapters labeled 'Lover 01', 'Lover 02', 'Lover 03', interspersing photographs with diary entries and iMessage threads. The project references Nan Goldin's 'The Ballad of Sexual Dependency' and Sophie Calle's 'Prenez soin de vous', and Liu's related work 'A Lover's Discourse' echoes Roland Barthes. Liu describes contemporary romance as 'increasingly formatted and transactional', and the project's conclusion states that photography functions 'not as proof of love, but as residue.'

Key facts

  • Tia Liu's project 'What if we were lovers?' began in 2023 and is ongoing.
  • Liu completed an MA at University of the Arts London in 2024 and a BA at Jinan University in Guangzhou.
  • The photographs were taken during real dates with full consent of participants.
  • The artist book is designed to smartphone scale and divided into chapters like 'Lover 01', 'Lover 02', 'Lover 03'.
  • The project references Nan Goldin's 'The Ballad of Sexual Dependency' and Sophie Calle's 'Prenez soin de vous'.
  • Liu's related work 'A Lover's Discourse' references Roland Barthes' 1977 book.
  • Liu describes contemporary romance as 'increasingly formatted and transactional'.
  • The project's conclusion states photography functions 'not as proof of love, but as residue'.

Entities

Artists

Institutions

  • University of the Arts London
  • Jinan University
  • Juliet Art Magazine
  • Venice Biennale

Locations

  • London
  • United Kingdom
  • Guangzhou
  • China
  • Venice
  • Italy

Sources