The Nabis: Symbolist Prophets of Modern Art
Between 1888 and 1900, a transformative collective of young French artists known as the Nabis emerged, spearheaded by Paul Serusier after his inspiration from Paul Gauguin and Émile Bernard in Brittany. This group included prominent artists like Pierre Bonnard and Édouard Vuillard, who turned away from traditional art norms and Salon exhibitions. Emphasizing decorative forms such as murals and illustrations, they drew from Gauguin’s Synthetism and Japanese art. Their creations often intertwined mystical and everyday themes, with Serusier’s work 'The Talisman' (1888) highlighting their innovation. Although the group dissolved by 1900, their legacy influenced future movements in symbolism and abstraction.
Key facts
- The Nabis were active from 1888 to 1900.
- The group was founded by Paul Serusier after meeting Gauguin in Pont-Aven in 1888.
- Members included Pierre Bonnard, Maurice Denis, Édouard Vuillard, Paul Ranson, Ker-Xavier Roussel, and Félix Vallotton.
- The name 'Nabis' means 'prophet' in Hebrew and Arabic, coined by poet Henri Cazalis.
- They rejected Academicism and the Salon system.
- Their style featured cloisonnism: bold flat colors with dark outlines.
- They used unconventional materials like cardboard, wood, and velvet.
- Serusier's 'The Talisman' (1888) was a key work for the group.
Entities
Artists
- Paul Serusier
- Paul Gauguin
- Émile Bernard
- Pierre Bonnard
- Maurice Denis
- Édouard Vuillard
- Paul Ranson
- Ker-Xavier Roussel
- Félix Vallotton
- Henri Cazalis
- Vincent van Gogh
- James Abbott McNeill Whistler
- Paul Cézanne
- Salvador Dalí
- Pablo Picasso
Institutions
- Académie Julian
- Musée d'Orsay
- Musée des Beaux-Arts, Quimper
- Petit Palais
- The Metropolitan Museum of Art
Locations
- France
- Brittany
- Pont-Aven
- Paris