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Ten Pivotal Works Tracing Modern Art's Evolution from Manet to Basquiat

publication · 2026-09-06

TheCollector emphasizes ten pivotal artworks that shaped the Modern art movement from 1863 to 1982. It starts with Édouard Manet's 'Luncheon on the Grass' (1863), which departed from conventional norms. Following this, Eugène Bataille's 'Mona Lisa Smoking a Pipe' (1887) offered a satirical take on Leonardo's masterpiece. Vincent van Gogh's 'The Starry Night' (1889) served as a link between Post-Impressionism and Modernism. The work 'Les Demoiselles d'Avignon' (1907) by Pablo Picasso paved the way for Cubism. Wassily Kandinsky's 'Untitled' (1915) showcased abstraction, while Marcel Duchamp's 'Fountain' (1917) questioned the essence of art. Jackson Pollock's 'Number 1A, 1948' signified the rise of Abstract Expressionism. Willem de Kooning's 'Woman I' (1950-52) redefined the female form. Andy Warhol's 'Campbell's Soup Cans' (1962) critiqued consumer culture, and Jean-Michel Basquiat's 'Three Quarters of Olympia Minus the Servant' (1982) expressed his identity and the onset of Postmodernism.

Key facts

  • The article lists 10 pivotal artworks from the Modern art movement, starting with Manet's 'Luncheon on the Grass' (1863) and ending with Basquiat's 'Three Quarters of Olympia Minus the Servant' (1982).
  • Manet's 'Luncheon on the Grass' was exhibited at the 1863 Salon des Refusés after being rejected by the official Salon.
  • Eugène Bataille (Sapeck) created 'Mona Lisa Smoking a Pipe' in 1887, a satirical illustration published in the journal 'Le Rire'.
  • Vincent van Gogh painted 'The Starry Night' in June 1889 while at the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence, France.
  • Pablo Picasso's 'Les Demoiselles d'Avignon' (1907) is considered a decisive rupture leading to Cubism, incorporating African tribal mask features.
  • Wassily Kandinsky's 'Untitled' (1915) is an example of non-representational abstraction; he was a synesthete who associated colors with sounds.
  • Marcel Duchamp's 'Fountain' (1917) was a manufactured urinal submitted for exhibition, questioning the definition of art.
  • Jackson Pollock's 'Number 1A, 1948' marked the emergence of Abstract Expressionism and shifted the art world center from Paris to New York.
  • Andy Warhol's 'Campbell's Soup Cans' (1962) debuted at the Ferus Gallery in Los Angeles and comprised 32 canvases, one for each soup variety.
  • Jean-Michel Basquiat's 'Three Quarters of Olympia Minus the Servant' (1982) appropriated Manet's 'Olympia', reflecting his experience as a Black artist in New York.

Entities

Artists

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Locations

  • Paris
  • France
  • Saint-Rémy-de-Provence
  • Barcelona
  • New York
  • United States
  • Long Island
  • Los Angeles
  • New York City
  • Chicago

Sources