Survey of British Landscape Painting from Turner to Hogan

A DailyArt Magazine article surveys British landscape painting through seven artists spanning the 18th to 21st centuries. John Constable (1776–1837) rejected Turner's romanticism, preferring inhabited scenes like Flatford Mill (1816–1817, Tate, London). J.M.W. Turner (1775–1851) captured industrial progress in Rain, Steam, and Speed (1844, National Gallery, London). Paul Nash (1889–1946), a World War I war artist, depicted devastated landscapes such as Wire (1918, Imperial War Museum, London). Kyffin Williams (1918–2006), born in Anglesey and educated at Slade School of Fine Art, painted Above Carneddi (1985, National Library of Wales) with heavy impasto. Ethelbert White (1891–1972), a wood engraver and painter, lived in a caravan in southern England and created The Forest (1932, Leicester Galleries). Alan Harris (b. 1954), a London-born painter and sculptor based in Newcastle, made Countryside (1990s, Saatchi Art). Terri Hogan, a contemporary artist, produced Cape Cornwall II (2017), emphasizing the sea's permanence. The article discusses landscape painting criteria (land and sky, wide-angle views) and emotional resonance.