Sonia Costantini's Monograph 'Memoria del colore' Documents Italian Monochrome Painter's Career
Edizioni Oltrearte has published 'Memoria del colore,' a 252-page monograph on Italian painter Sonia Costantini, printed by Grafiche Antiga in October 2025. The volume documents Costantini's career as a leading exponent of contemporary color-focused painting, featuring images of her works, installation views, interviews, critical essays, and exhibition history. Curated by Luca Pietro Nicoletti, the publication situates Costantini within Italian aniconic painting traditions while noting her international recognition, including collector Giuseppe Panza di Biumo. Critical texts by Sandro De Alexandris and composer Simone Zuan analyze her technique of layering acrylic and oil to create vibrating surfaces. De Alexandris describes her painting as a slow deposition of color achieving saturation, while Zuan interprets her work through musical concepts of 'contrappunti' (counterpoints). The monograph references artistic influences from Mark Rothko to Titian and the Venetian School. Costantini, born in Mantova province where she lives and works, began exhibiting in the late 1970s and showed at Paris's Grand Palais in 1986. Her exhibition history includes venues across Italy and internationally, from Frankfurt's BCE to Los Angeles galleries. Recent shows include 'Astratte' at Villa Olmo in Como and exhibitions at Museo Diocesano di Brescia and Galleria Il Milione in Milano.
Key facts
- Sonia Costantini's monograph 'Memoria del colore' was published by Edizioni Oltrearte in 2025
- The 252-page volume was printed by Grafiche Antiga in October 2025
- Curator Luca Pietro Nicoletti positions Costantini within Italian aniconic painting traditions
- Collector Giuseppe Panza di Biumo acquired her monumental monochrome canvases
- Critical essays include contributions from painter Sandro De Alexandris and composer Simone Zuan
- Costantini began exhibiting in the late 1970s and showed at Paris's Grand Palais in 1986
- Her technique involves layering acrylic and oil to create vibrating, light-responsive surfaces
- The monograph documents exhibitions at venues including BAG 2022 at Università Bocconi in Milano
Entities
Artists
- Sonia Costantini
- Luca Pietro Nicoletti
- Sandro De Alexandris
- Mark Rothko
- Tiziano Vecellio
- Simone Zuan
- Giuseppe Panza di Biumo
- Jean-Pierre de Caussade
- Cristina Campo
- Margherita Pieracci Harwell
Institutions
- Edizioni Oltrearte
- Grafiche Antiga
- BAG 2022
- Bocconi Art Gallery
- Università Bocconi
- Grand Palais
- Casa del Mantegna
- Palazzo Te
- Palazzo Ducale di Mantova
- Chiostro del Bramante
- Palazzo Ducale di Genova
- Palazzo Sarcinelli
- Palazzo Ducale di Gubbio
- Cà dei Carraresi
- Rocca di Umbertide
- Padiglione d'Arte Contemporanea di Ferrara
- BCE
- Museo della Grafica di Ljublijana
- Museo Etnografico di San Pietroburgo
- Kölniches Stadmuseum
- Istituto Italiano di Cultura di Monaco
- Sankt-Anna Kapelle
- Diözesanmuseum di Passau
- Villa Olmo
- Galleria GAS
- Museo Diocesano di Brescia
- Antico Ospedale dei Battuti di San Vito al Tagliamento
- Galleria Oltrearte
- Galleria Il Milione
- Adelphi
- Antico Ospedale dei Battuti
Locations
- Milano
- Italy
- Torino
- Piemonte
- Daugavpils
- Lettonia
- New York
- USA
- Pieve di Cadore
- Belluno
- Veneto
- Venezia
- Cahors
- Francia
- Tolosa
- Mantova
- Parigi
- France
- Roma
- Genova
- Conegliano
- Gubbio
- Treviso
- Bologna
- Verona
- Ferrara
- Francoforte
- Germany
- Ljublijana
- Slovenia
- San Pietroburgo
- Russia
- Colonia
- Plön
- Plüschow
- Monaco
- Passau
- Friburgo
- Münster
- Landshut
- Vienna
- Austria
- Los Angeles
- Como
- Monte San Savino
- Arezzo
- Brescia
- San Vito al Tagliamento
- Umbertide