Simone Lucciola's Poetry Collection 'View-Master' Explored in Critical Review
Antonia De Francesco reviews Simone Lucciola's poetry collection 'View-Master,' released by Ghenomena Poesia in January 2018, for MIfacciodiCultura, with the review later featured on Artspecialday. The analysis delves into the primary metaphor of the View-Master, including insights from poet Rodolfo Di Biasio. Lucciola's poemetti navigate a river of panta rei, addressing profound emotional issues such as suffocation, melancholy, and hope. The notion of 'studio escapologia' highlights efforts to break free from societal stereotypes. Themes of solitude, distrust, and death are prominent. The review underscores Lucciola's diverse background and characterizes 'View-Master' as avant-garde and unsettling, portraying poetry as a survival tool and cautioning against overlooking Paradise, which remains perpetually out of reach. This review was published on October 3, 2026.
Key facts
- Simone Lucciola's poetry collection 'View-Master' was published by Ghenomena Poesia in January 2018.
- The title refers to a vintage handheld device with cardboard discs containing seven pairs of 3D stereoscopic photographs, mostly landscapes.
- Poet Rodolfo Di Biasio provided commentary on the work.
- The review was written by Antonia De Francesco for MIfacciodiCultura and republished on Artspecialday on October 3, 2026.
- The collection's poemetti are described as flowing along a river of panta rei, exploring the soul and darkness.
- The language is characterized as refined yet raw and contemporary, with emotional shifts between suffocation, melancholy, rage, and hope.
- The concept of 'studio escapologia' appears in a poem, symbolizing escape from external constraints and stereotypes.
- Lucciola is also an illustrator and musician, and he described punk as avant-garde-disturbing and vaguely neo-Dadaist in an interview.
Entities
Artists
- Simone Lucciola
- Rodolfo Di Biasio
- Antonia De Francesco
Institutions
- Ghenomena Poesia
- MIfacciodiCultura
- Artspecialday