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Sargent's Iconic Ellen Terry as Lady Macbeth: A Masterpiece of Theatre and Portraiture

publication · 2026-09-20

The 1889 painting Ellen Terry as Lady Macbeth by John Singer Sargent, housed at Tate Britain, captures the actress in a pivotal role. Sargent, who was born to American parents in Florence and trained in Paris, relocated to London in 1884, quickly establishing himself as a prominent portrait artist. In the artwork, Terry is depicted holding the Scottish crown, a representation of Lady Macbeth's ambition, dressed in a costume created by Alice Comyns Carr, which includes emerald silk and a purple velvet cloak. Sargent modified the attire to appear more blue, enhancing its Pre-Raphaelite essence. Acquired by Henry Irving for the Lyceum Theatre, the portrait served both as a tribute to Terry and a promotional piece for the production, with Sargent also designing an ornate gilt frame to reflect his connection to the theatre.

Key facts

  • John Singer Sargent painted Ellen Terry as Lady Macbeth in 1889; it is now in Tate Britain, London.
  • Ellen Terry (1847–1928) was a leading 19th-century actor and a celebrity with a controversial love life.
  • The portrait shows Terry raising the Scottish crown above her head, a pose not in Shakespeare's text or the Lyceum production.
  • Terry's costume, designed by Alice Comyns Carr, used over a thousand beetle-wing cases on emerald green silk to create an iridescent, snake-like effect.
  • Sargent made the dress appear more blue than green, reportedly on the advice of Edward Burne-Jones, who visited his studio.
  • Henry Irving, the play's producer, bought the painting and hung it in the Lyceum Theatre.
  • Sargent also designed an elaborate gilt, Celtic-style frame for the painting.
  • The portrait was not Sargent's only theatrical subject; he also painted La Carmencita (1890) and El Jaleo (1882).

Entities

Artists

Institutions

Locations

  • Florence
  • Italy
  • Paris
  • France
  • London
  • UK
  • Aberdeen
  • Boston
  • MA
  • USA
  • Spain

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