Sara Soskolne on Stewarding Gotham, Crafting Gotham Variable, and Human Creativity in the Age of AI
Sara Soskolne, the Executive Creative Director at Monotype, has dedicated nearly twenty years to the Gotham typeface, including her tenure as a senior designer at Hoefler&Co, where she worked alongside its original creators, Tobias Frere-Jones and Jonathan Hoefler. She recently spearheaded the creation of Gotham Variable, which broadens the font's variations. This year commemorates the 25th anniversary of Gotham's debut in print, first seen on the cover and within GQ magazine in 2001. For the Obama Foundation's brand update, Soskolne partnered with Manual Creative to design unique Gotham styles for the Obama Presidential Center and Foundation, introducing Gotham Condensed Bold to resonate with younger audiences. Three new styles—Slab Serif, Inline, and Stencil—were designed to reflect various programming themes: civics and politics, sports and activity, and environment and sustainability. Describing typeface design as 'micro-nerdery,' she views herself as a craftsperson and expresses concern over AI's influence on entry-level design roles, emphasizing her interest in human creativity. She references Canadian artist Robin Collyer's 1990s photographs, devoid of text, to illustrate how typography influences perception.
Key facts
- Sara Soskolne is Executive Creative Director at Monotype and has worked with the Gotham typeface for much of the last two decades.
- She worked as a senior designer at Hoefler&Co with Gotham's original designers, Tobias Frere-Jones and Jonathan Hoefler.
- She recently led the development of Gotham Variable, expanding the font's available iterations.
- This year is the 25th anniversary of Gotham's first appearance in print, on the cover and pages of GQ magazine in 2001.
- She collaborated with Manual Creative on custom Gotham styles for the Obama Foundation's brand refresh and the Obama Presidential Center.
- Three new styles—Slab Serif, Inline, and Stencil—were created to represent different programming tracks at the Presidential Center.
- Soskolne worries about AI's impact on entry-level design jobs and the loss of hands-on learning.
- She cites Canadian artist Robin Collyer's 1990s photographs with text stripped out as an example of typography's perceptual impact.
Entities
Artists
- Sara Soskolne
- Tobias Frere-Jones
- Jonathan Hoefler
- Robin Collyer
Institutions
- Monotype
- Hoefler&Co
- Obama Foundation
- Manual Creative
- Obama Presidential Center
- GQ
- Netflix
- U.S. Postal Service
- One World Trade Center
- PRINT Magazine
- Monotype Imaging Inc.
- Gentleman Quarterly (GQ)
- Coca-Cola
- Spotify
- Chanel
- Taco Bell
- Saturday Night Live
- United States Postal Service
- MoMA
- Port Authority Bus Terminal
Locations
- United States
- New York City