Sanya Kantarovsky's 'Basic Failure' and the Intellectual Power of Painting in Venice

In a piece for The Art Newspaper, the writer examines the lasting impact of painting, drawing connections between Jacopo Tintoretto's 16th-century works and modern creations by Sanya Kantarovsky. The author shares a personal experience from 1994, marking the 400th anniversary of Tintoretto's passing, when they were profoundly affected by 'The Last Supper' (1591-92) at the Basilica di San Giorgio Maggiore, recently restored by Save Venice and showcased during the Biennale's opening week. Referencing John Ruskin's 1853 work, 'The Stones of Venice,' the writer notes Ruskin's feeling of being 'utterly crushed' by Tintoretto's brilliance at the Scuola di San Rocco. The commentary emphasizes that true artistic greatness stems from intellect, not merely technical ability. Additionally, the author discusses Kantarovsky's exhibition 'Basic Failure' at the Palazzo Loredan, which runs until 22 November, featuring half-skeletal figures that symbolize a contrast between external wealth and internal destitution. The painting 'Reenactment' (2026) illustrates the Narcissus myth, depicting a figure by water with a skeletal hand touching the surface. The writer concludes by labeling this exhibition as the most impactful of the Biennale.