Pushing the Limits: Running on Film with the Hasselblad XPan
A photographer set out to capture a running sequence on the Hasselblad XPan, a slow and deliberate film camera, to create an editorial story in just a few frames. The subject, Maud, a sports model, was chosen to align with her career and add strong, story-driven images to her portfolio. The shoot took place at the Barbican in London, UK, chosen for its hard geometry and concrete surfaces that contrast with the fluidity of movement. The photographer used Kodak Portra 400 film, two lenses (45mm f/4 and 90mm f/4), and metered for bright sunlight to achieve a cinematic look. Only twenty frames were shot, with three key images forming the backbone of the series: a wide contextual frame, a mid-distance image, and a close-up. The project served as both a technical test for a recently repaired XPan and a creative step toward context-driven editorial work. The photographer learned the value of location scouting and the need to explore motion blur in future projects.
Key facts
- The shoot used a Hasselblad XPan camera.
- The subject was Maud, a sports model.
- The location was the Barbican in London, UK.
- Film used: Kodak Portra 400.
- Lenses: 45mm f/4 and 90mm f/4.
- Total frames shot: twenty.
- The photographer metered for bright sunlight.
- The project aimed to create a narrative sequence rather than isolated portraits.
Entities
Artists
- Maud
Institutions
- PetaPixel
- Hasselblad
- Kodak
- Barbican
- KEH.com
- Moment
- FJ Westcott
- Blue Moon Camera and Machine
Locations
- London
- United Kingdom
- Barbican