PLOP #02 Examines Polish Poster as Protest, Export, and Myth
Slanted Publishers has released PLOP #02, a 32-page graphic design revue that scrutinizes the Polish poster tradition. The A4 saddle-stitched publication (21 × 29.7 cm) is printed in full color offset, with proportions echoing the poster format. Designed by Marian Misiak and Lars Harmsen using the Dioda typeface by Jan Estrada-Osmycki (in collaboration with Three Dots Type Foundry), the issue features essays by Katarzyna Matul on the Polish poster as a communist-era export commodity, and by Karolina Pietrzyk and Paweł Starzec on graphic design's transition from street walls to gallery frames. Contributors critically examine biennials, festivals, civic practice, and AI tools, questioning whether the poster communicates, decorates, or ritualizes its legacy. The revue positions itself as graphic design criticism in a portable, affordable format.
Key facts
- PLOP #02 is a 32-page graphic design revue from Slanted Publishers.
- The publication examines the Polish poster as protest, export product, and national myth.
- It is printed in A4 saddle-stitched format (21 × 29.7 cm) in full color offset.
- Design by Marian Misiak and Lars Harmsen uses the Dioda typeface by Jan Estrada-Osmycki.
- Dioda typeface was made in collaboration with Three Dots Type Foundry.
- Essays by Katarzyna Matul cover the Polish poster as a communist-era export commodity.
- Karolina Pietrzyk and Paweł Starzec address graphic design moving from street walls to gallery frames.
- Contributors probe biennials, festivals, civic practice, and AI tools with skepticism.
Entities
Artists
- Marian Misiak
- Lars Harmsen
- Jan Estrada-Osmycki
- Katarzyna Matul
- Karolina Pietrzyk
- Paweł Starzec
Institutions
- Slanted Publishers
- Three Dots Type Foundry