Paola Bormioli's Photographic Series Explores Provincial Identity in Eastern Brescia
Artist Paola Bormioli presents a photographic project titled 'Il Teorema dell'Anatra' (The Duck Theorem), examining the threshold between appearance and reality in photography. The series documents towns in the eastern province of Brescia, Italy, where Bormioli grew up. These transitional zones along main roads feature sparse commercial establishments—typically one of each type like a trattoria, pharmacy, and butcher shop. Bormioli captures seemingly empty places that actually reveal community presence through inhabitants and subtle traces of life. The work questions photographic objectivity, referencing Joan Fontcuberta's duck analogy about trusting appearances and Edgar Lee Masters' poetry about capturing authentic character. The project is part of a column promoted by LABA Libera Accademia di Belle Arti in Brescia, exploring how photography can both document and construct reality. Bormioli observes strong local pride and community identity in these provincial areas, challenging assumptions about their disappearance. The images focus on passage zones where residents maintain distinct local identities despite their proximity to urban centers.
Key facts
- Artist Paola Bormioli created photographic series 'Il Teorema dell'Anatra'
- Project documents towns in eastern Brescia province, Italy
- Explores threshold between photographic appearance and reality
- References Joan Fontcuberta's duck analogy about trusting appearances
- Includes quote from Edgar Lee Masters' Spoon River Anthology
- Part of column promoted by LABA Libera Accademia di Belle Arti, Brescia
- Examines community identity in provincial transitional zones
- Questions photographic objectivity and constructed reality
Entities
Artists
- Paola Bormioli
- Joan Fontcuberta
- Edgar Lee Masters
Institutions
- LABA Libera Accademia di Belle Arti, Brescia
- ATP DIARY
Locations
- Brescia, Italy
- Eastern Brescia province