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Orly Anan Reimagines Prometheus Myth in Performance at Museo Cabañas

other · 2026-06-29

Orly Anan, a performance artist from Mexico City, showcased 'Vistas de un Hombre en Llamas' at the Museo Cabañas in Guadalajara during Andrógina Fest 2026. This work interacts with José Clemente Orozco's mural 'El hombre de fuego' located under the museum's dome, serving as a backdrop for Anan's narrative. The reinterpretation of the Prometheus myth positions the fiery figure at the heart of a restructured world, where all forms of life coexist without hierarchy, highlighting interdependence rather than punishment. The performance progresses through various scenes, including chaos, ritual, and a new societal framework, featuring elements like mice, a gong, and a volcano woman birthing an ocelot cub. Anan's attire includes gray mice and horse-headed figures, while the setting beneath Orozco's mural facilitates a dialogue with Mexican Muralism, presenting an optimistic perspective on the ancient myth.

Key facts

  • Orly Anan presented 'Vistas de un Hombre en Llamas' at Museo Cabañas in Guadalajara.
  • The performance was part of Andrógina Fest 2026.
  • It directly engages José Clemente Orozco's mural 'El hombre de fuego'.
  • The piece reimagines the Prometheus myth with a non-hierarchical, interdependent world.
  • Scenes include mice, a gong, a ceremonial union, a duel, and a volcano woman giving birth to an ocelot cub.
  • A spiral platform serves as altar, wedding platform, and birthplace.
  • Costumes feature gray mice, horse-headed figures, swirling skirts, goose-headed nurses, and black hooded bodies.
  • Orozco's 'El hombre de fuego' was painted between 1937 and 1939.

Entities

Artists

Institutions

  • Museo Cabañas
  • Andrógina Fest
  • Hospicio Cabañas

Locations

  • Mexico City
  • Guadalajara
  • Mexico

Sources