New Yorker Briefly Noted Reviews Four New Books: Smith, Lee, Lesser, Hutchinson
The column titled Newer's Briefly Noted highlights four recently published books. Katy Simpson Smith's The Maltese Version (Farrar, Straus & Giroux) offers four viewpoints from women associated with literary translator Max. In That Summer's End, translated by Anton Hur (Knopf), Lee Seong-bok shares poetry focused on nature and desire, including pieces such as "Feeling" and "Sea." Wendy Lesser's Berlin Before and After (Harper) examines the city's past as a cautionary tale, reflecting on her changing perspective since 2003 and mentioning figures like Bertolt Brecht. George Hutchinson's Jean Toomer (Yale) provides a biography of the Harlem Renaissance author, investigating Toomer's intricate relationship with Black identity and his dismissal of racial labels in his writing.
Key facts
- The New Yorker's Briefly Noted column reviews four new books.
- Katy Simpson Smith's novel The Maltese Version is published by Farrar, Straus & Giroux.
- The Maltese Version presents four sides of a story, each belonging to a different woman connected to Max, a literary translator.
- Max's mentor Herschel sends him to Malta to work on a collection by local poet Ana.
- Leonie, Max's girlfriend, sends her friend Rhoda to investigate when she cannot reach him.
- That Summer's End is by Lee Seong-bok, translated from the Korean by Anton Hur and published by Knopf.
- The opening poem of That Summer's End is titled "Feeling."
- Many poems in That Summer's End are titled for their subjects, including "Sea," "Mountain," "Cat," and "Child."
- Wendy Lesser's Berlin Before and After is published by Harper.
- Lesser describes Berlin's history as a "cautionary mirror" for the present.
- Lesser was born in California and is a secular Jew.
- Lesser began travelling to Germany in 2003.
- Berlin Before and After touches on Bertolt Brecht, Gerhard Richter, and Jenny Erpenbeck.
- George Hutchinson's Jean Toomer is published by Yale.
- Toomer is best known for the experimental 1923 work "Cane."
- Toomer's grandfather was the mixed-race son of an enslaved woman.
- Hutchinson writes that "the so-called separate races were products of false labeling."
Entities
Artists
- Katy Simpson Smith
- Lee Seong-bok
- Anton Hur
- Wendy Lesser
- Bertolt Brecht
- Gerhard Richter
- Jenny Erpenbeck
- George Hutchinson
- Jean Toomer
- Max
- Herschel
- Ana
- Leonie
- Rhoda
Institutions
- Farrar, Straus & Giroux
- Knopf
- Harper
- Yale
- The New Yorker
Locations
- Malta
- Berlin
- Germany
- California
- Weimar Republic
- German Democratic Republic