ARTFEED — Contemporary Art Intelligence

New Museum Reopens with Major Expansion and Inaugural Exhibition

exhibition · 2026-03-19

The New Museum in New York has reopened following a four-year process and two-year closure, unveiling a 60,000-square-foot expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas. The expansion doubles the institution's exhibition space and provides additional room for artist residencies, public programs, and its cultural incubator, NEW INC. The inaugural exhibition, 'New Humans: Memories of the Future,' explores human identity amid technological change across the 20th and 21st centuries, featuring works by over 150 artists, scientists, and filmmakers. Editors from Hyperallergic gathered after a press preview to discuss the expansion and exhibition. They noted that while the building offers more space, including a central staircase with neighborhood views, some found the design dated, with industrial galleries and accessibility issues like slippery stairs and narrow doors. The exhibition was criticized for being overcrowded, with over 700 objects and verbose wall texts that lacked cohesion. Some editors felt the show failed to address contemporary genocides or offer a human-centered perspective, instead presenting a corporate, startup-like aesthetic. Despite individual works by artists like Wangechi Mutu and Hito Steyerl receiving praise, the overall curation was described as uninspired and lacking experimentation, with a focus on technology that felt inhuman. The expansion aims to support institutional growth, but concerns were raised about visitor experience, including limited seating and poor layout.

Key facts

  • The New Museum reopened after a two-year closure and four-year expansion process.
  • The 60,000-square-foot expansion was designed by OMA / Shohei Shigematsu and Rem Koolhaas.
  • The expansion doubles exhibition space and adds room for artist residencies and NEW INC.
  • The inaugural exhibition is 'New Humans: Memories of the Future,' featuring over 150 contributors.
  • Hyperallergic editors criticized the design as dated and the exhibition as overcrowded.
  • Editors noted accessibility issues like slippery stairs and narrow doors.
  • The exhibition was described as lacking human-centered perspectives and failing to address contemporary genocides.
  • The expansion includes administrative offices and sky rooms not always accessible to the public.

Entities

Artists

Institutions

Locations

  • New York
  • Lower East Side
  • Bowery
  • SoHo
  • Harlem
  • West Coast
  • Denmark
  • Hong Kong
  • Argentina
  • Iraq
  • Eastern Europe
  • Vietnam
  • Latin America
  • Hiroshima
  • Nagasaki
  • Manhattan
  • Nolita
  • New York City
  • Lower Manhattan
  • Prince Street
  • United States
  • Paris
  • France
  • Berlin
  • Germany
  • Porto

Sources