Museum of Art and Photography Bengaluru exhibition examines colonial violence in botanical art
The Museum of Art and Photography in Bengaluru is showcasing 'Paper Gardens: Art Botany and Empire,' an exhibition curated by Shrey Maurya that delves into the colonial fascination with botanical art. Among the displayed items are hand-coloured lithographs, such as Walter Hood Fitch's 1849 depiction of Rhododendron campbelliae and 1855's Garcinia mangostana. The collection illustrates British botanist Joseph Dalton Hooker, who was commissioned in 1847 by Kew and the East India Company, as he receives rhododendrons from local women. The exhibition critiques colonial naming conventions and features the seventeenth-century Hortus Malabaricus. It also emphasizes Bengaluru's legacy as a garden city, including Lalbagh garden, and will be open until 5 July, aiming to acknowledge the roles of Indian artists and botanists.
Key facts
- Exhibition 'Paper Gardens: Art Botany and Empire' at Museum of Art and Photography, Bengaluru
- Curated by Shrey Maurya
- Features hand-coloured lithographs by Walter Hood Fitch including Rhododendron campbelliae (1849) and Garcinia mangostana (1855)
- Includes works from Curtis's Botanical Magazine, the world's longest-running botanical periodical
- Showcases seventeenth-century compendium Hortus Malabaricus with plants named in Malayalam, Konkani, Arabic, and Latin
- Highlights British botanist Joseph Dalton Hooker's 1847 survey for Kew and East India Company
- Mentions Bengaluru's Lalbagh garden founded by Hyder Ali and developed by Tipu Sultan
- Exhibition runs through 5 July
Entities
Artists
- Walter Hood Fitch
- Shrey Maurya
- Joseph Dalton Hooker
- Hyder Ali
- Tipu Sultan
Institutions
- Museum of Art and Photography, Bengaluru
- Kew
- East India Company
- Curtis's Botanical Magazine
- Government School of Art, Calcutta
- Hortus Malabaricus
Locations
- Bengaluru
- India
- Himalayas
- Sikkim
- Malabar Coast
- Calcutta
- Mysore
- Eastern India
- Burma