Mold as Architecture's Unwanted Living Document
In an essay on ArchDaily, Daniela Andino discusses how mold, as a living entity, reveals flaws in how contemporary architecture interacts with organic materials. Innovations like mycelium panels and living walls get praise, but mold is often dismissed as a nuisance. Andino argues that mold actually provides important insights into a building's conditions over time, such as moisture and temperature changes. She draws on David Gissen's concept of 'undervisualized' natures and highlights projects by Le Corbusier, Adjaye Associates, and O-office Architects, where biological growth reflects environmental factors. The piece contends that while buildings are usually shown in perfect states, mold challenges the idea that structures are entirely sealed, offering a unique narrative shaped by the building itself. This essay is part of ArchDaily's series on Transspecies Architecture.
Key facts
- Essay by Daniela Andino published on ArchDaily on June 16, 2026.
- Mold is biological but treated as contamination, unlike celebrated living materials.
- David Gissen describes smoke, exhaust, dust, crowds, and mud as 'undertheorized, underdiscussed, and undervisualized' in architecture.
- Le Corbusier's Convent of La Tourette shows stains and moisture on concrete.
- Adjaye Associates' Mole House has exposed surfaces absorbing use and moisture.
- O-office Architects' The Old Chapel features green growth and discoloration on concrete.
- Mold reveals building performance over time, unlike drawings and renders.
- Part of ArchDaily Topic: Transspecies Architecture: The Life of Materials, Ecological Alliances, and Nature's Agency.
Entities
Artists
- Daniela Andino
- David Gissen
- Le Corbusier
- Adjaye Associates
- O-office Architects
Institutions
- ArchDaily
Locations
- Convent of La Tourette
- Mole House
- The Old Chapel