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Missy Mazzoli on Adapting "Lincoln in the Bardo" as an Opera

publication · 2026-10-22

Composer Missy Mazzoli identified a specific scene in George Saunders's novel "Lincoln in the Bardo" as the moment she recognized its operatic potential. In that passage, figures trapped in the bardo encounter multiple versions of people who matter to them, each urging them onward. Mazzoli described visualizing a cascade of arrivals and departures, with voices singing individually, in groups, and then alone. That choral image shaped her approach to setting the novel's text for the stage. The Washington Post reported on how the book supplied the language for an opera centered on a president's grief.

Key facts

  • Composer Missy Mazzoli is adapting "Lincoln in the Bardo" as an opera
  • A bardo scene where trapped figures see multiple versions of loved ones convinced Mazzoli of the work's operatic potential
  • Mazzoli envisioned a cascade of people entering and leaving while singing
  • The singing moves between solo and ensemble passages in her conception
  • The Washington Post reported on the adaptation
  • The opera draws its words from George Saunders's novel
  • The narrative centers on a president's grief

Entities

Artists

Institutions

  • The Washington Post
  • MSN

Sources