Miljohn Ruperto's Exhibition at Stanford Critiques AI's Environmental and Social Impacts
Artist Miljohn Ruperto presents a solo exhibition at Stanford University's Cantor Arts Center in Palo Alto, featuring works that examine artificial intelligence's ecological consequences and historical parallels. The show includes 'Fathoms (Tartarapelagic)' (2025–26), which uses AI to generate creatures based on species threatened by deep-sea mining for minerals essential to AI hardware. Other pieces reference colonial history through recreated Thomas Cole paintings in VR and reinterpretations of Caspar David Friedrich's work. Ruperto's 'The Great Disappointment' series, commissioned by the Cantor, explores apocalyptic themes and time collapse. A related film, 'The New Society,' is displayed at Minnesota Street Project in San Francisco. The exhibition highlights tensions between technological advancement, environmental destruction, and human desire for connection.
Key facts
- Miljohn Ruperto's exhibition is on view at Stanford's Cantor Arts Center in Palo Alto
- Works critique AI's reliance on minerals mined from the Clarion-Clipperton Zone, endangering marine species
- Features VR reinterpretations of Thomas Cole paintings and AI-generated creatures
- Includes 'The Great Disappointment' series commissioned by the Cantor Arts Center
- Related film 'The New Society' shown at Minnesota Street Project in San Francisco
Entities
Artists
- Miljohn Ruperto
- Thomas Cole
- Caspar David Friedrich
Institutions
- Cantor Arts Center
- Stanford University
- Minnesota Street Project
Locations
- Palo Alto
- San Francisco
- Clarion-Clipperton Zone