ARTFEED — Contemporary Art Intelligence

Micro-Dramas and the 'Dă' Verb: How Chinese Literature and Mass Culture Are Rewriting Narrative Speed

opinion-review · 2026-09-16

In a significant piece for New Left Review, Jian Mao contends that micro-drama, a format designed for vertical-screen viewing on smartphones, epitomizes China in the 2020s, illustrating a rapid evolution in modern literature. The 2024 sensation I Became a Stepmother in the 1980s, comprising 82 episodes each under two minutes, exemplifies this trend. By February 2026, micro-drama platforms had amassed over 700 million viewers, with the industry valued at around 100 billion yuan ($14 billion). In 2025 alone, more than 140,000 micro-dramas were produced, overshadowing the release of over 600 feature films. Mao notes a similar literary acceleration, referencing recent contributions from Yu Hua, Bi Feiyu, and others, and emphasizes the importance of the verb dă in the narratives of this period.

Key facts

  • Over 700 million viewers were registered across micro-drama platforms as of February 2026, with average daily screentime of two hours per person.
  • The micro-drama industry is worth approximately 100 billion yuan ($14 billion).
  • More than 140,000 micro-dramas were released in the first eight months of 2025, involving over a hundred thousand enterprises.
  • The 2024 micro-drama I Became a Stepmother in the 1980s has 82 episodes, each averaging under two minutes.
  • Micro-dramas first emerged in 2018 and underwent explosive growth during the pandemic.
  • Over 600 full-length feature films were produced in China in 2025, far fewer than micro-dramas.
  • Hengdian, China's film and TV production complex in Zhejiang, has been nicknamed 'Verticaldian' due to micro-drama production.
  • The essay was published in New Left Review, issue ii160, by Jian Mao.

Entities

Artists

  • Jian Mao
  • Yu Hua
  • Sun Ganlu
  • Bi Feiyu
  • Zhang Yueran
  • Jin Yucheng
  • Ge Fei
  • Ban Yu
  • Shuang Xuetao
  • Zheng Zhi
  • Lin Bai
  • Lu Nei
  • Liu Qing
  • Liang Bin
  • Hao Ran
  • Zhao Shuli
  • Zhang Xianliang
  • Han Shaogong
  • Can Xue
  • Yang Zhijun
  • Qiao Ye
  • Xie Jin
  • Wu Yonggang
  • Yuan Muzhi
  • Ren Lu
  • Ruan Lingyu
  • Jiaozi
  • James Wood
  • Franco Moretti
  • Lukács
  • Jameson
  • Laozi
  • Wang Ximeng
  • Mao Zedong
  • Pynchon
  • Rushdie
  • David Foster Wallace
  • Zadie Smith
  • Jin Yong
  • Si Nian
  • Yang Fei
  • Lu Keming
  • Wei Dafu
  • Chen Qianli
  • Qin Chuan'an
  • Luo Ke
  • Zhou Zhenxia
  • Chen Kemiing
  • Shen Xinyi
  • Dou Baoqing
  • Liang Shengbao
  • Old Liang San
  • Sun Wukong
  • Zhu Bajie
  • Ne Zha
  • Ao Bing
  • King Chen
  • Zhi
  • Qiao

Institutions

  • New Left Review
  • Zhejiang Grand Theatre
  • Fourth Road Market
  • North Sichuan Road Bridge
  • Soy-Sauce Brewery
  • Maochang Coal Depot
  • Hengdian
  • Mao Dun Literature Prize
  • Shanyaodan School
  • Celestial Court
  • Celestial Cauldron

Locations

  • China
  • Shanghai
  • Ruijin
  • Jiangxi Province
  • Zhejiang
  • Beijing
  • Tianjin
  • Gansu
  • Shaanxi
  • Guanzhong
  • Central Hebei Plain
  • Xi Town
  • Yangtze River
  • Dianshan Lake District
  • Zhujiajiao Town
  • Xiaoyangfang village
  • Tiaoxi village
  • Yunfeng town
  • Hamatang
  • Jitouzhai village
  • Dai City
  • Tibetan plateau
  • French Concession
  • Gaolan Road
  • Jinxian Road
  • Yellow River Road
  • 67 Chuntai Road
  • United States
  • United Kingdom

Sources