Marina Schroeder's Solo Exhibition Explores Abstraction Through Rose Pigments and Textural Techniques

Marina Schroeder's solo exhibition 'Não Se Toca sem algum Risco o Íntimo das Coisas' presents works combining charcoal frottage with custom rose-derived pigments. The artist developed her own paints from Avalanche roses in chemical laboratories, creating earthy tones from yellow to moss green. The exhibition features six luminous pieces in the first room, including works like 'Das Memórias: Superfície' (2025) and 'Tempo Comprimido' (2025), evoking landscapes and horizons. A later section displays three paintings with marine blue, gray, and black hues using spray techniques. Schroeder's aesthetic emphasizes intentional incompleteness, drawing connections to existential philosophy. The review was written by Gus Moura de Almeida, an art professional based in São Paulo.