Liz Glynn's 'American Progress' in Paula Cooper Gallery's Street Vitrine
Liz Glynn's sculpture 'American Progress (after John Gast)' (2017) is currently displayed in the street-level vitrine of Paula Cooper Gallery in New York. The work is part of Glynn's ongoing series 'The Shape of Progress,' which critically examines U.S. history and the myths of American identity. The sculpture uses thin copper sheeting to evoke the draped folds of the woman's dress in John Gast's 1872 painting 'American Progress,' an allegory of manifest destiny. In Gast's painting, a colossal female figure strides from an industrialized East toward an 'untamed' West, with bison and Indigenous people fleeing, while farmers, railroads, and telegraph wires follow, symbolizing 19th-century expansion. Glynn's reinterpretation critiques this narrative.
Key facts
- Liz Glynn's 'American Progress (after John Gast)' (2017) is on view in Paula Cooper Gallery's vitrine.
- The work is part of Glynn's series 'The Shape of Progress'.
- The sculpture uses thin copper sheeting.
- It references John Gast's 1872 painting 'American Progress'.
- Gast's painting depicts manifest destiny with a female figure striding westward.
- The original painting shows bison and Indigenous people fleeing.
- Farmers, railroads, and telegraph wires follow the figure.
- Glynn's work critically reflects on U.S. history and American identity.
Entities
Artists
- Liz Glynn
- John Gast
Institutions
Locations
- New York
- United States