Leo Robson on the Glamour and Craft of Criticism
In an interview with Leonard Benardo for The Ideas Letter, British literary critic Leo Robson reflects on the history and nature of criticism. He argues that criticism is a distinct craft, not secondary to creation, and traces its post-WWII flourishing through charismatic figures like Pauline Kael, Kenneth Tynan, Susan Sontag, and Robert Hughes. Robson rejects nostalgia for a lost golden age, noting that critics like Edmund Wilson were not universally recognized in their time. He discusses the critic's job as adjudication through explanation, the rarity of success in both criticism and fiction, and the influence of French theory, particularly Roland Barthes, on everyday criticism. On takedowns, Robson advocates for directness over snideness, citing examples from Hughes, Kael, and James Wood. He observes that the glamour of criticism has attracted new generations, with figures like Martin Amis, Christopher Hitchens, and James Wood reviving interest. Robson is assistant editor at Literary Review and author of the novel The Boys (2025).
Key facts
- Leo Robson is assistant editor at Literary Review and author of The Boys (2025).
- Robson argues criticism is a distinct craft, not secondary to creation.
- He traces criticism's post-WWII flourishing through figures like Pauline Kael, Kenneth Tynan, Susan Sontag, and Robert Hughes.
- Robson rejects nostalgia for a lost golden age of critical authority.
- He notes that Edmund Wilson was not universally recognized in his time.
- Robson defines the critic's job as adjudication through explanation.
- He discusses the rarity of success in both criticism and fiction.
- Roland Barthes is cited as the only French theorist with a palpable effect on everyday criticism.
- Robson advocates for directness in takedowns, closer to rude than snide.
- He cites examples of takedowns by Hughes, Kael, and James Wood.
- Robson observes that glamour has attracted new generations to criticism.
- Figures like Martin Amis, Christopher Hitchens, and James Wood revived interest in criticism.
- The interview was conducted by Leonard Benardo, vice president for the Open Society Foundations.
- The interview was published on June 25, 2026 in The Ideas Letter.
Entities
Artists
- Leo Robson
- Leonard Benardo
- Pauline Kael
- Kenneth Tynan
- Susan Sontag
- Robert Hughes
- Edmund Wilson
- Roland Barthes
- James Wood
- Martin Amis
- Christopher Hitchens
- John Updike
- T. S. Eliot
- François Truffaut
- G. Cabrera Infante
- Orson Welles
- Geoff Dyer
- John Berger
- Adam Mars-Jones
- Whit Stillman
- John Jeremiah Sullivan
- Michael Gorra
- Cyril Connolly
- Lionel Trilling
- Allen Tate
- Henry James
- Joyce Carol Oates
- Ian McEwan
- Paul de Man
- Jacques Derrida
- Claude Lévi-Strauss
- Jacques Lacan
- Michel Foucault
- Edward Said
- Linda Nochlin
- Elaine Showalter
- Leo Bersani
- Northrop Frye
- Harold Bloom
- Frank Kermode
- Michael Wood
- Phillip Lopate
- Tibor Fischer
- John Banville
- Dale Peck
- Renata Adler
- Gary Indiana
- Tim Parks
- Martin Filler
- James Wolcott
- A.S. Hamrah
- Frank Rich
- John Leonard
- Wilfrid Sheed
- Robert Silvers
- Stuart Klawans
- Geoffrey O'Brien
- Anders Ericsson
- Roger Ebert
- Graham Greene
- V. S. Pritchett
- Elizabeth Hardwick
- Zadie Smith
- Joshua Cohen
- Don DeLillo
- Thomas Pynchon
- J. M. Coetzee
- Milan Kundera
- James Baldwin
- Truman Capote
- David Foster Wallace
- Norman Mailer
- Chris Kraus
- Albert Camus
- Mario Vargas Llosa
- Michael Schmidt
- John Lanchester
- Kingsley Amis
- Michael Hofmann
- Stefan Zweig
- Blake Gopnik
- Raymond Picard
- Philip Johnson
- Angus Wilson
- J. G. Ballard
- Philip Roth
- Michael Crichton
- Thomas Harris
- Samuel Johnson
- Aristotle
- William Shakespeare
- John Osborne
- Tom Hayden
- Alain Robbe-Grillet
- Cy Twombly
- Sergei Eisenstein
- Tacitus
- Jean-Luc Godard
- Andy Warhol
- Samuel Beckett
- Miles Davis
- John Cage
- Laurence Olivier
- Glenway Wescott
- Barbara Pym
- David Byrne
- Gore Vidal
- Jane Fonda
- Donald Trump
- Michael Milken
- Richard Brody
- Martin Amis (as subject)
- Kingsley Amis (as subject)
- Harold Bloom (as subject)
- Northrop Frye (as subject)
Institutions
- Literary Review
- The New York Times
- New Left Review
- The New Statesman
- The Ideas Letter
- Open Society Foundations
- National Theatre
- Cahiers du Cinéma
- The New Yorker
- Time
- Partisan Review
- The Nation
- The New York Review of Books
- Vanity Fair
- Harper's
- The Village Voice
- London Review of Books
- The Believer
- The New Republic
- Chicago Sun-Times
- Columbia Daily Spectator
- Evergreen Review
- Johns Hopkins University
- Yale School
- Kenyon College
- Louisiana State University
- Columbia University
- Vanderbilt University
- University of Chicago
- Harvard University
- Yale University
- Cambridge University
- The Telegraph
- The New York Times (as publisher)
- The New Yorker (as publisher)
- Time (as publisher)
- Partisan Review (as publisher)
- The Nation (as publisher)
- The New York Review of Books (as publisher)
- Vanity Fair (as publisher)
- Harper's (as publisher)
- The Village Voice (as publisher)
- London Review of Books (as publisher)
- The Believer (as publisher)
- The New Republic (as publisher)
- Chicago Sun-Times (as publisher)
- Columbia Daily Spectator (as publisher)
- Evergreen Review (as publisher)
Locations
- New York City
- United States
- United Kingdom
- France
- Belgium
- Cuba
- London
- Edinburgh
- Cambridge (England)
- Kenyon (Ohio)
- Baton Rouge (Louisiana)
- New York (state)
- Nashville (Tennessee)
- Chicago
- Harvard (Massachusetts)
- Yale (Connecticut)
- Columbia (New York)
- Vanderbilt (Tennessee)
- Louisiana State (Louisiana)
- Johns Hopkins (Maryland)
- Sardi's (New York City)