Legal experts advise artists and collectors on recovering works from insolvent galleries
The recent bankruptcies of galleries including Stephen Friedman, Arusha, and Simon Lee have created challenges for artists and collectors attempting to retrieve consigned artwork, primarily due to the absence of formal agreements. Consignors, classified as unsecured creditors, are at the bottom of the repayment hierarchy. Petra Warrington from Wedlake Bell recommends reaching out to liquidators, asserting ownership, and supplying proof of title. The retrieval process can be prolonged, especially when relying on informal agreements. She emphasizes the importance of having clear consignment contracts and restricting gallery powers. In cases lacking formal documentation, emails and records may serve as proof of ownership. Artists are also registering disputed pieces with the Art Loss Register (ALR) for sales notifications. James Ratcliffe has observed a rise in registrations linked to relationship issues. Gallery proprietors are encouraged to obtain legal counsel early to mitigate personal liability.
Key facts
- Recent insolvencies of Stephen Friedman, Arusha, and Simon Lee galleries have left artists and collectors struggling to recover consigned works.
- Consignors are unsecured creditors and at the bottom of the pile when a business goes bankrupt.
- Petra Warrington, partner at Wedlake Bell, advises consignors to contact liquidators immediately and provide evidence of title.
- The art market relies on informal verbal agreements, making legal intervention often necessary.
- Consignment agreements should clearly identify works and state that title remains with the consignor.
- Emails, WhatsApp messages, inventory records, transport documents, and insurance policies can prove title.
- Artists are registering disputed works on the Art Loss Register (ALR) to be alerted if galleries try to sell them.
- James Ratcliffe, ALR's general counsel, says speed is key because more transactions complicate recovery.
- Other scenarios include dealers ignoring artists after promising to exhibit works, and consignment fraud.
- Due diligence, such as checking Companies House, is advised before entrusting works to third parties.
- ALR registration can affect marketability and may lead to claims of interference if used without grounds.
- Gallery owners should seek legal advice early to avoid personal liability and never move or sell works without advice once insolvency is imminent.
Entities
Institutions
- Stephen Friedman Gallery
- Arusha Gallery
- Simon Lee Gallery
- Wedlake Bell
- Art Loss Register
Locations
- London
- United Kingdom