Lee Chang-dong Returns with 'Possible Love', a Sharp Critique of Cinema's Exploitation of the Working Class
South Korean director Lee Chang-dong, known for 'Burning' (2018), is back with a new film titled 'Possible Love', which premiered at the Venice Film Festival and is vying for the Golden Lion. The film offers an incisive look at how cinema has historically 'vampirized' the working class, examining the relationships between two couples from different social strata, with film as both a connecting and dividing force. The article traces this dynamic back to the Lumière brothers' 1895 footage of workers leaving their factory, noting the inherent friction when filmmakers from privileged backgrounds depict those they seldom interact with. The piece also mentions Robert Pattinson's 'Primetime', a banal take on reality TV that exposed pedophiles live, which fails to impress. Lee's return after an eight-year hiatus is marked by a smart, sharp, and incisive proposal that continues his exploration of class and cinema.
Key facts
- Lee Chang-dong returns with 'Possible Love' after eight years since 'Burning'.
- The film is competing for the Golden Lion at the Venice Film Festival.
- The film examines relationships between two couples of different classes, with cinema as a (dis)connecting element.
- The article references the Lumière brothers' 1895 film of workers leaving their factory as an early example of cinema's fascination with the working class.
- The piece critiques the class conflict between filmmakers from elite backgrounds and the subjects they portray.
- Robert Pattinson's 'Primetime' is mentioned as a banal look at reality TV that exposed pedophiles live.
- The article is published by eldiario.es.
- The film is described as a 'sobresaliente mirada' (outstanding look) at how cinema vampirizes the working class.
Entities
Artists
- Lee Chang-dong
- Robert Pattinson
- Lumière brothers
Institutions
- Venice Film Festival
- eldiario.es
Locations
- South Korea
- Venice
- Italy