José Ramón Hernández Correa Revisits Italo Calvino's Invisible Cities as an Architectural Text
On the Spanish architecture blog Verdes, José Ramón Hernández Correa reflects on Italo Calvino's Invisible Cities, a work cherished by architecture students despite Calvino's lack of formal architectural training. The book features fifty-five cities named after women, such as Diomira and Isidora, along with conversations between Marco Polo and Kublai Khan. Hernández Correa interprets these cities as representations of themes like old age, solitude, and memory, recommending a poetic approach to reading—one city at a time. Peruvian architect Karina Puente Frantzen provides illustrations for cities like Zaira and Despina. Hernández Correa considers the book essential for architecture students, beneficial for their projects, but ultimately describes it as an opus masturbatorium that results in mere white noise.
Key facts
- José Ramón Hernández Correa published the essay on the Spanish architecture blog Verdes
- Italo Calvino's Invisible Cities describes fifty-five cities named after women
- Calvino was not an architect and did not write the book for architects
- Peruvian architect and illustrator Karina Puente Frantzen aims to illustrate all the invisible cities
- Illustrations of Zaira, Despina and Isaura appear with the article
- Hernández Correa recommends reading one city per week or month rather than straight through
- He describes the book as an opus masturbatorium suited to decorating architectural documents
- He argues the cities cancel each other out, producing only white noise
Entities
Artists
- José Ramón Hernández Correa
- Italo Calvino
- Karina Puente Frantzen
- Marco Polo
- Kublai Kan
Institutions
- Verdes
Locations
- Peru
- Spain
Sources
- Veredes —