Imprinting 900: How 20th-Century Architects’ Childhoods Shaped Their Work
The collective volume 'Imprinting 900: Paesaggi nativi nell'architettura moderna,' published by Vita Nostra, explores how the spatial experiences of architects during childhood influenced their adult design. Based on Antonio Saggio's late-1990s theory of 'native landscapes,' the book examines the relationship between early imprinting and mature architectural production. Edited by Federico Caserta, Giovanni Manfolini, and Francesca Pieruccia, the collection decodes Saggio's mental map through essays that link memory, exception, and the tension between past conditioning and present innovation. The concept of imprinting, drawn from ethology and psychology, is used to reconcile the contradictions of the 20th century—a period of both stagnation from world wars and rapid cultural, scientific, and technical acceleration. The volume argues that imprinting reconnects architecture to what is never new: the root, the past. It unifies fragmented experiences across time, offering a lens to understand how modern masters internalized their native landscapes.
Key facts
- The book 'Imprinting 900: Paesaggi nativi nell'architettura moderna' is published by Vita Nostra.
- The volume is edited by Federico Caserta, Giovanni Manfolini, and Francesca Pieruccia.
- It is based on Antonio Saggio's theory of 'native landscapes' from the late 1990s.
- The concept of imprinting is borrowed from ethology and psychology.
- The book explores the relationship between childhood spatial experiences and adult architectural design.
- It addresses the contradictions of the 20th century, including world wars and cultural acceleration.
- The volume aims to unify past and present experiences in architecture.
- The preface is written by the editors.
Entities
Artists
- Antonio Saggio
- Federico Caserta
- Giovanni Manfolini
- Francesca Pieruccia
Institutions
- Vita Nostra