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Hiroshi Sugimoto Completes Fifty-Year Diorama Photography Series with Final Shoot at AMNH

publication · 2026-09-18

Hiroshi Sugimoto has completed his diorama photography project, a journey that started in 1974 when he moved to New York. His final photographs were taken in the fall of 2025 at the American Museum of Natural History, marking his debut with color film. Sugimoto discovered that closing one eye enhanced the realism of the dioramas. Back in 1975, he used an 8-by-10-inch camera, with exposure times of about twenty minutes. His first images included vultures and a polar bear. He reflected, “My life as an artist began...bringing the bear back to life on film.” After fifty years, he felt a sense of relief at finishing this series, which documents a fading art form. This summary appeared in Aperture No. 264, titled “Stop Time.”

Key facts

  • Hiroshi Sugimoto began photographing museum dioramas in 1974, shortly after moving to New York.
  • His final photographs for the series were taken at the American Museum of Natural History in fall 2025.
  • The final shoot used color film for the first time in the series.
  • In 1975, Sugimoto used an 8-by-10-inch camera and secured museum permission by presenting himself as a tourist.
  • His first two diorama photographs showed vultures with a zebra carcass and a polar bear over a seal.
  • Carl Akeley, a taxidermist and conservationist, created dioramas to rally support for wildlife preservation.
  • Stephen Quinn, who built and restored dioramas at the museum for nearly forty years, praised Sugimoto's work.
  • The series is featured in Aperture No. 264, 'Stop Time,' guest edited by Sugimoto.

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  • New York
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  • Ethiopia
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  • Long Island
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  • Tokyo
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  • Singapore
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  • Rocky Mountains

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