Grandma Moses Exhibition at Smithsonian American Art Museum Examines Her Idyllic Rural Vision
The exhibition 'Grandma Moses: A Good Day's Work' is on view at the Smithsonian American Art Museum through July 12, 2026. It features works by Anna Mary Robertson Moses (1860–1961), who began painting in her late seventies and became the first American celebrity artist, appearing on the covers of Life and Time. Her paintings, such as 'Grandma Moses Goes to the Big City' (1946), 'Early Springtime on the Farm' (1945), and 'A Country Wedding' (1951), depict rural American life—apple picking, maple sugaring, barn dances, and holidays—without showing poverty or political conflict. President Harry Truman received her at the White House and preferred her figurative work to Jackson Pollock's abstractions. The exhibition's catalogue includes a comparative page of paintings by William H. Johnson, which present a poorer rural world from a Black perspective. The author, David Carrier, reflects on Moses's work in relation to L.S. Lowry, a British painter championed by figures like John Berger and Harold Wilson, and notes that Moses's art, though sometimes labeled 'primitive,' is ambitious and versatile, with her farmed landscapes dominating human figures. Key works in the show are gifts from the Kallir family or museum purchases, including pieces like 'Bringing in the Maple Syrup' (1940 or earlier) and 'Halloween' (1955).
Key facts
- The exhibition 'Grandma Moses: A Good Day's Work' runs through July 12, 2026 at the Smithsonian American Art Museum in Washington, DC.
- Anna Mary Robertson Moses (1860–1961) started painting in her late seventies and became the first American celebrity artist.
- Her works depict rural American scenes such as apple picking, maple sugaring, and holidays, avoiding poverty and political themes.
- President Harry Truman received her at the White House and preferred her art to Jackson Pollock's abstractions.
- The exhibition catalogue includes a page comparing her work to paintings by William H. Johnson, which show a poorer rural Black perspective.
- Moses's paintings have been gifted by the Kallir family or purchased by the museum, including 'Early Springtime on the Farm' (1945) and 'A Country Wedding' (1951).
- The author references L.S. Lowry, a British painter supported by John Berger and Harold Wilson, to contextualize Moses's politics.
- Moses's art is described as ambitious and versatile, focusing on farmed landscapes that dominate human figures.
Entities
Artists
- Anna Mary Robertson Moses
- Grandma Moses
- Jackson Pollock
- William H. Johnson
- Norman Rockwell
- L.S. Lowry
- John Berger
- Kenneth Clark
- Ernst Gombrich
- T.J. Clark
- Anne Wagner
- Camille Pissarro
- David Carrier
- Gustav Klimt
Institutions
- Smithsonian American Art Museum
- Life
- Time
- White House
- Tate Britain
- Carnegie Mellon University
- Getty Scholar
- Clark Fellow
- Apollo
- artcritical
- Artforum
- Artus
- Burlington Magazine
- The Brooklyn Rail
- Two Coats of Paint
- Museum of Modern Art
- National Museum of Women in the Arts
- Galerie St. Etienne
- Bennington Museum
- Gimbels department store
Locations
- Washington County, New York
- Virginia
- New York
- Washington, DC
- London
- Britain
- China
- Europe
- India
- Japan
- New Zealand
- North America
- Greenwich, New York
- Eagle Bridge, New York
- Hoosick Falls, New York
- Paris
- Vienna
- Bennington, VT