Frankie Magazine's Print Production Process Revealed
Frankie magazine's production process involves a collaborative, high-pressure final week before print. Editor Shannon Jenkins, art director Kate Pullen, designer Eliza Williams, and production manager Lizzie Dynon coordinate via OneDrive and Microsoft Teams, relying on nbn's Business Plan for fast uploads. Last-minute changes—interview answers, images, advertiser requests—trigger layout adjustments. Files are exported as PDFs from InDesign, checked on paper stock, and dielines are reviewed before final approval. The process highlights the invisible infrastructure behind print publishing.
Key facts
- Frankie magazine's final week before print involves multiple people working on shared files simultaneously.
- Editor Shannon Jenkins notes that last-minute items can arrive hours before print.
- Designer Eliza Williams and art director Kate Pullen check pages for errors and test colors on actual paper stock.
- Files are designed in InDesign, exported as PDFs, and shared via OneDrive.
- Production manager Lizzie Dynon checks dielines as the final approval step.
- The magazine relies on nbn's Business Plan for fast upload/download speeds.
- Late photography can force complete layout changes.
- The process is described as a 'giant, moving puzzle' rather than a tidy object.
Entities
Institutions
- Frankie
- nbn
- Microsoft
- OneDrive
- Microsoft Teams
- InDesign