Fabrice Schneider's exhibition at Etablissement d’en face explores spatial and temporal dimensions through objects

Fabrice Schneider's exhibition at Etablissement d’en face in Brussels presents works that investigate spatial and temporal concepts through objects. The artist explores how space can be reflected and condensed, creating pieces that resemble static constellations or models of private rooms. These objects, described as coreless yet charged with space, might receive their doubles as content, such as a crumpled auction catalogue page or a stillborn Christ. Schneider also examines time through rhythmic movements, suggesting it consists of intensities rather than linear passage. When time infuses an object, it can become a meaningful timepiece or refer only to its own coherence, like a composition of screws. The exhibition features works that evoke strained, inverted rhythms, accelerating suddenly like a snapping ribcage after prolonged tension. This exploration challenges conventional perceptions of space and time in contemporary art.