ARTFEED — Contemporary Art Intelligence

Ex Machina (2014): Architecture, Borders and Humanity, Analyzed by Víctor Hugo Palacios Cruz

opinion-review · 2026-09-24

Víctor Hugo Palacios Cruz examines Alex Garland's 2014 film Ex Machina in an essay for Veredes, focusing on how it addresses human identity through architectural elements. The narrative follows Caleb (Domhnall Gleeson), a Bluebook employee, who evaluates AVA (Alicia Vikander), a gynoid, within Nathan's (Oscar Isaac) house-laboratory set in a wooded area of Alaska, though filmed in Norway. The structure incorporates designs from Jensen & Skodvin Architects. Palacios Cruz notes the film's horizontal framing, deliberate pacing, and minimalist design, which highlight themes of barriers and enclosures. Central topics include embodied consciousness, sexuality, and dichotomies, referencing thinkers like Pessoa, Ribeyro, and Foucault, asserting the film's significance in current AI debates.

Key facts

  • Víctor Hugo Palacios Cruz published the essay on Ex Machina (2014) via Veredes
  • Ex Machina was directed by Alex Garland and released in 2014
  • Nathan's house-laboratory was composed from two Jensen & Skodvin Architects projects: the Juvet Landscape Hotel and the Storfjord Summer House
  • The film's forested setting is Alaska, with locations shot in a Norwegian landscape
  • Caleb is played by Domhnall Gleeson, Nathan by Oscar Isaac, AVA by Alicia Vikander and Kyoko by Sonoya Mizuno
  • A Jackson Pollock painting, "No. 5, 1948," appears in Nathan's monitored interior
  • The essay cites Michel Serres, Byung-Chul Han, Markus Gabriel, Bruno Latour and Michel Foucault
  • Palacios Cruz links the film to contemporary debates on artificial intelligence

Entities

Artists

Institutions

  • Veredes
  • Jensen & Skodvin Architects
  • Juvet Landscape Hotel
  • Storfjord Summer House
  • Bluebook
  • Black Mirror

Locations

  • Alaska
  • United States
  • Norway
  • Valldal
  • Arabia

Sources