ARTFEED — Contemporary Art Intelligence

Essay Critiques Bullshit Jobs Theory Through Personal Legal Nonprofit Experience

publication · 2026-04-14

A personal essay reflects on working at a legal nonprofit two summers ago, detailing bureaucratic frustrations with timekeeping tied to multiple funding streams including state and federal grants. The author describes feeling alienated despite the organization's mission-driven work in foreclosure prevention, tax clinics, and housing assistance. The narrative engages with David Graeber's 2018 book "Bullshit Jobs," which argues many administrative roles are pointless while essential jobs like social workers are underpaid. Other thinkers discussed include Malcolm Harris ("Kids These Days: Human Capital and the Making of Millennials," 2017), Erik Baker ("Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America," 2025), and Leigh Claire La Berge ("Fake Work: How I Began to Suspect Capitalism Is a Joke," 2025). The essay contrasts these perspectives with Elizabeth Anderson's concept of a "progressive work ethic" from her books "Private Government" (2017) and "Hijacked" (2023), which acknowledges meaningful work within critique. The author left the nonprofit after under a year for a government grants position with better pay and benefits. Art credit is given to Eda Gecikmez for "Transformation" (2014), oil on canvas, courtesy of Galeri Nev.

Key facts

  • The author worked at a legal nonprofit two summers ago
  • David Graeber published "Bullshit Jobs" in 2018
  • Malcolm Harris's "Kids These Days" was released in 2017
  • Erik Baker's "Make Your Own Job" came out in 2025
  • Leigh Claire La Berge's "Fake Work" was published in 2025
  • Elizabeth Anderson's "Private Government" was published in 2017
  • Elizabeth Anderson's "Hijacked" was published in 2023
  • The author left the nonprofit after under a year for a government job

Entities

Artists

  • Eda Gecikmez

Institutions

  • Galeri Nev
  • Syracuse
  • SUNY Buffalo

Sources