Ed Sayers' 'Super Nature' Highlights Video Camera as Tool of Resistance

In a review for Ocula Magazine, writer Daisy Hildyard examines Ed Sayers' film 'Super Nature,' which employs old technology to explore the natural world. Hildyard argues that the film serves as a reminder of the video camera's potential as a tool of resistance and testimony. The review discusses how Sayers' choice of outdated equipment influences the film's aesthetic and thematic resonance, positioning it within a broader discourse on environmental representation and the role of technology in activism. The film is presented as a collective endeavor, emphasizing the power of collaborative film-making in addressing ecological concerns. Hildyard's critique situates 'Super Nature' within contemporary art practices that challenge conventional narratives about nature and technology, suggesting that the medium itself can be a form of protest. The review highlights specific aspects of the film's production and its engagement with environmental issues, offering insights into Sayers' artistic approach and the film's relevance in current discussions about climate and media.