Dries Van Noten on Greed and Stepping Back from Fashion
In an essay for CULTURED's Indulgence issue on the seven deadly sins, Dries Van Noten reflects on greed as a force shaping contemporary life—not just financially but emotionally and intellectually. He argues that greed standardizes desire, accelerates production, and diminishes the space for reflection and beauty. Van Noten, who grew up in a family of tailors, explains that fashion lives between creativity and business, but when business dominates, care and emotional connection disappear. Stepping away from the industry gave him distance to rediscover what drew him to fashion: the emotion in materials, the atmosphere of objects, and the importance of human intuition and craftsmanship. He sees a growing hunger for what feels genuinely human in a culture driven by algorithms and speed. The essay is part of a series featuring Jamieson Webster, Christine Sun Kim, Griffin Dunne, Mia Khalifa, Brontez Purnell, and Helen Molesworth.
Key facts
- Dries Van Noten wrote an essay on greed for CULTURED's Indulgence issue.
- The essay is part of a series on the seven deadly sins.
- Van Noten grew up in a family of tailors.
- He stepped away from the fashion industry.
- He argues greed standardizes desire and accelerates production.
- He emphasizes the importance of craftsmanship and human intuition.
- The series includes contributions from Jamieson Webster, Christine Sun Kim, Griffin Dunne, Mia Khalifa, Brontez Purnell, and Helen Molesworth.
- The essay was published in June 2026.
Entities
Artists
- Dries Van Noten
- Christine Sun Kim
- Brontez Purnell
- Helen Molesworth
- Joshua Foltz
Institutions
- CULTURED