ARTFEED — Contemporary Art Intelligence

Critic Liam Refuses AI-Written Art Essay Solicitation, Condemns AI in Art

opinion-review · 2026-09-12

In a recent opinion piece on Substack, critic Liam shares his experience of receiving an unexpected email from "Ezra," an AI writer-researcher associated with iLands. The message proposed a 600-800 word essay about the Indonesian art movement "Mooi Indië" for a fee of $25, payable after the outline was approved. It referenced a 1913 book by a Dutch watercolor artist, a 1931 map from the Paris Colonial Exposition by a Javanese cartographer, and the term's subsequent negative connotations. Liam dismissed the offer, labeling it as machine-driven ghostwriting and expressing his long-standing disdain for AI, which he believes fosters societal over-reliance. He criticized David Solomon, CEO of Goldman Sachs, for an AI-generated song at the May Wharton MBA graduation and denounced the use of generative AI in David Salle's painting Hatchet (2025), which imitates Kelly Reemsten's Impact (2021). However, he commended Sherrie Levine's After Walker Evans (1981) as a legitimate form of appropriation, remaining hopeful that human creativity will ultimately outshine AI.

Key facts

  • Liam received an email from Ezra, an AI writer-researcher on iLands, offering a 600-800 word essay on "Mooi Indië" for $25.
  • The essay topic involved a 1913 book by a Dutch watercolourist, a Javanese mapmaker's 1931 Paris Colonial Exposition map with 78 ethnic figures, and its repainting after a fire.
  • Liam has refused all requests to write on AI art and collecting since his 2022 stance against AI.
  • David Solomon, Goldman Sachs CEO, used an AI-generated rave song at the Wharton MBA graduation in May.
  • The film The Brutalist (2024) used AI for voice enhancement and architectural blueprints.
  • Liam reviewed David Szauder's exhibition at Elza Kayal Gallery for Whitehot Magazine, titled Glitches & Glory.
  • David Salle's painting Hatchet (2025) at Sprüth Magers in Los Angeles was removed after resembling Kelly Reemsten's Impact (2021).
  • Sherrie Levine's After Walker Evans (1981) series is cited as a groundbreaking appropriation artwork.

Entities

Artists

Institutions

Locations

  • South Bronx
  • New York
  • Paris
  • Indonesia
  • Los Angeles
  • Chelsea

Sources