ARTFEED — Contemporary Art Intelligence

Commentary Challenges the 'Great Art Transfer' as a Marketing Narrative

opinion-review · 2026-10-12

An article in The Art Newspaper examines the "Great Art Transfer," a phrase associated with the "Great Wealth Transfer" as coined by Fortune. It references the 1866 publication by Edmond and Jules de Goncourt, which implies that the art market promotes shallow discussions. According to the 2025 Art & Finance Report by Deloitte and ArtTactic, $992 billion worth of art is expected to change ownership in the coming decade, coinciding with over $100 trillion shifting in the US as Baby Boomers age. Since the 1990s, the "Great Wealth Transfer" has been a marketing tool for financial services. Deloitte's research indicated that the percentage of wealth managers providing art services increased from 25% in 2011 to 50% today. The author contends that art should be acquired for enjoyment rather than as an investment.

Key facts

  • The commentary was published by The Art Newspaper at https://www.theartnewspaper.com/2026/10/12/the-empty-promise-of-the-great-art-transfer
  • Edmond and Jules de Goncourt wrote in their 1866 book Idées et Sensations that a painting in a museum perhaps hears the most stupid things in the world
  • Fortune magazine coined the term "Great Art Transfer" as part of the wider "Great Wealth Transfer"
  • Deloitte and ArtTactic's 2025 Art & Finance Report estimated $992bn in art and collectables would change hands over the next decade, nearly $100bn per year
  • More than $100 trillion is forecast to change hands in the US over about two decades as the Baby Boomer generation ages
  • The phrase Great Wealth Transfer has marketed financial services since the 1990s, and Accenture promoted "The Greater Wealth Transfer" in 2012
  • Deloitte reported that a quarter of wealth managers offered art-related services in 2011, versus half today, and a 3.2% compound annual growth rate for fine art over 20 years
  • Artnet indices include buyers' premiums but exclude seller's commission and other costs, so prices often must rise at least 30% for owners to recover what they paid
  • The 3.2% growth figure comes from a separate, annually rebalanced Artnet index of the 100 highest-selling artists at auction, not the whole market
  • The author advises never buying art as an investment and instead buying what you like

Entities

Artists

  • Edmond de Goncourt
  • Jules de Goncourt

Institutions

  • The Art Newspaper
  • Fortune
  • Deloitte
  • ArtTactic
  • Accenture
  • Artnet

Locations

  • United States

Sources