ARTFEED — Contemporary Art Intelligence

Class Struggle in the Art World: From Bienal de São Paulo to Documenta and Beyond

opinion-review · 2026-08-26

This essay, part two of a critical series, argues that the art world's progressive rhetoric masks deep class exploitation and that artists and workers must organize collectively. It cites Warren Buffett's 2006 admission of class war, the 35th Bienal de São Paulo's labor abuses, Documenta's censorship controversies, Artforum's firing of David Velasco, and the rise of infrastructural critique and unionization. The author, Filipe Lippe, calls for a shift from institutional critique to infrastructural critique, citing Marina Vishmidt's work, and highlights examples of collective action like Decolonize This Place's protests at the Whitney and MoMA, and the Gaza Biennale. The essay concludes that art's emancipation requires building autonomous infrastructures and dissolving the current system.

Key facts

  • Warren Buffett stated in a 2006 New York Times interview that there is a class war and his class is winning.
  • Workers at the 35th Bienal de São Paulo published an open letter in 2023 denouncing poor working conditions, including harassment, excessive heat, and low wages.
  • The curatorial collective of the 35th Bienal, including Diane Lima, Grada Kilomba, Hélio Menezes, and Manuel Borja-Villel, remained silent on the workers' letter.
  • In 2022, Documenta 15 faced controversy over alleged antisemitism, leading to the resignation of director-general Sabine Schormann and increased state control over the exhibition.
  • In 2023, Artforum removed an open letter supporting Palestine and fired editor-in-chief David Velasco after pressure from gallerists Brett Gorvy, Dominique Lévy, and Amalia Dayan.
  • Marina Vishmidt's book 'Speculation as a Mode of Production' (2018) argues that art has become a laboratory for speculative capital.
  • Decolonize This Place's protests led to the resignation of Warren B. Kanders from the Whitney Museum board in 2019 and Leon Black from MoMA's board in 2021.
  • The essay calls for infrastructural critique and unionization, citing examples like the New Museum Union and the Gaza Biennale.
  • The author, Filipe Lippe, is an artist, poet, and theorist based in Berlin, pursuing a PhD at HFBK Hamburg.

Entities

Artists

Institutions

  • The New York Times
  • Bienal de São Paulo
  • Fundação Bienal
  • Documenta
  • Ruangrupa
  • BDS
  • Zentralrat der Juden in Deutschland
  • Artforum
  • New Museum
  • Solomon R. Guggenheim Museum
  • Whitney Museum
  • MoMA
  • Apollo Global Management
  • BlackRock
  • Lockheed Martin
  • General Electric
  • Safariland
  • Decolonize This Place
  • Strike MoMA
  • New Museum Union
  • Philadelphia Museum of Art Union
  • Tate United
  • bbk berlin
  • Unge Kunstneres Samfund
  • Norske Billedkunstnere
  • ArtLeaks
  • Arts of the Working Class
  • Art Worker Solidarity
  • East Bay Permanent Real Estate Cooperative
  • Obvious Agency
  • Theater of the Oppressed NYC
  • Instituto Augusto Boal
  • Lanchonete<>Lanchonete
  • Guerreiras da Gamboa
  • HFBK Hamburg

Locations

  • São Paulo
  • Brazil
  • Kassel
  • Germany
  • New York
  • United States
  • Berlin
  • Norway
  • California
  • Rio de Janeiro
  • Gaza
  • Palestine
  • Israel
  • Mexico

Sources