Chiara Alessi's 'La sedia del sadico' Rethinks Design Through a Feminist Lens

Chiara Alessi's new book 'La sedia del sadico. Il design sul corpo delle donne' (published by Laterza) challenges historically naturalized and neutral paradigms in design. In an interview, Alessi explains her intent to renegotiate standards, focusing on objects that reflect and reinforce social exclusion and silencing, particularly regarding women's bodies. The book is part of a trilogy with Laterza, following earlier works on post-2000s design and design without designers. Alessi examines objects like a Cassina armchair, a tent peg, and a speculum with equal scrutiny, asking why they exist, for whom, and what culture they reflect. She cites Lea Vergine's 'vetri delle case di fronte' to underscore the historical duty of highlighting overlooked women designers. The book has garnered interest beyond design circles, including from gynecologists, while some male reactions have been defensive. Alessi emphasizes that good design should never be used against someone.