Cesare Garboli's Molière: A Critical Reading of The Imaginary Invalid
A new piece on Doppiozero by Massimo Marino and Anita Romanello delves into Cesare Garboli’s interpretation of Molière, particularly addressing the third intermezzo from 'The Imaginary Invalid.' The discussion features a striking imagery of a procession with eight syringe bearers, six pharmacists, and twenty-two doctors, reminiscent of Ariane Mnouchkine’s film. The authors emphasize a chilling refrain in which the phrase 'occidat' (may he kill) resonates, a stark reminder of Molière’s demise on stage. They explore parallels between 17th-century satire and contemporary healthcare issues, such as lengthy emergency room delays and the popularity of dietary supplements, concluding with a reflection on Molière's critique of medical arrogance.
Key facts
- Article published on Doppiozero on April 9, 2026.
- Authors: Massimo Marino and Anita Romanello.
- Focuses on Cesare Garboli's reading of Molière's 'The Imaginary Invalid'.
- Describes the third intermezzo's procession: eight syringe bearers, six pharmacists, twenty-two doctors.
- References Ariane Mnouchkine's film on Molière's life.
- Quotes the Latin chorus: 'Vivat, vivat... et salasset et occidat!'.
- Notes Molière's death after performing the play.
- Draws parallels to modern healthcare and dietary supplements.
Entities
Artists
- Molière
- Cesare Garboli
- Ariane Mnouchkine
- Massimo Marino
- Anita Romanello
Institutions
- Doppiozero