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900-Page 1692 Color Manual by A. Boogert Digitized at Bibliothèque Méjanes

publication · 2026-10-12

A 900-page manuscript on watercolor paint mixing, created in 1692 by the artist A. Boogert, has been fully digitized and made available online by the Bibliothèque Méjanes in Aix-en-Provence, France. Titled Traité des couleurs servant à la peinture à l’eau in French and Klaer Lightende Spiegel der Verfkonst in Dutch, the manual contains over 700 pages of handwritten instructions and color swatches. It predates the modern understanding of the color spectrum, relying instead on Aristotle’s system of color. Boogert produced only one copy, which likely had little influence on his contemporaries, as most Dutch masters had died by 1692 and those still active would have been unaware of the single volume. The book was intended to educate watercolorists, explaining how to mix colors and adjust tones by adding one, two, or three portions of water. Medieval historian Erik Kwakkel discovered it in a French database, noting it offers an unusual glimpse into the workshop of 17th-century painters and illustrators. The high-resolution scans allow users to zoom in on each page, which resemble Pantone color chips. The manual appeared on the threshold of modern color theory, a decade before Newton’s Opticks, and a century before a wave of practical color books by Goethe (1810) and Werner (1814), leading eventually to the Pantone company in 1963. The digital scan is accessible via the Bibliothèque Méjanes’ online portal. This article was originally published in 2019 and is republished here.

Key facts

  • A 900-page color manual titled Traité des couleurs servant à la peinture à l’eau (Dutch: Klaer Lightende Spiegel der Verfkonst) was created in 1692 by A. Boogert.
  • The book contains over 700 pages of handwritten Dutch text and color swatches, intended to teach watercolor painting.
  • It draws on Aristotle’s system of color rather than the spectrum theory later elaborated by Newton in his Opticks over a decade later.
  • Only one copy was made, and there is little evidence it influenced color theory or practice in its day.
  • Medieval historian Erik Kwakkel found the book in a French database and noted it provides an unusual peek into 17th-century painters’ workshops.
  • The manual is housed at the Bibliothèque Méjanes in Aix-en-Provence, France, which offers full-page, zoomable, high-resolution scans online.
  • The book appeared before a wave of practical color books: Goethe’s 1810 Theory of Colors, Werner’s 1814 Nomenclature of Colour, and the founding of Pantone in 1963.
  • An earlier version of this article was published in 2019.

Entities

Artists

Institutions

  • Bibliothèque Méjanes
  • Open Culture
  • Refinery29
  • Pantone
  • Corning Museum of Glass

Locations

  • Aix-en-Provence
  • France
  • Durham
  • North Carolina
  • United States

Sources