Zhang Huan's Ashen Buddha Sculpture and Incense Incident at Pace Wildenstein

Zhang Huan's exhibition, 'Neither Coming Nor Going,' took place at Pace Wildenstein, featuring an impressive gray Buddha sculpture made from ceremonial ash collected from Chinese temples. The sculpture was adorned with porcelain pieces, copper plates, simulated skulls, and joss sticks. On the opening night, the incense smoke from the Buddha's head filled the gallery so intensely that staff had to put it out and guide guests outside. After returning to Beijing in 2006 post his eight years in New York, Zhang expressed in a 2008 catalog that his approach is to act without overthinking. The Rulai sculpture intentionally had its right forearm and left fingers removed, showcasing a modern piece. The exhibition ran from December 11, 2009, to January 30, 2010, at 545 West 22nd Street, reflecting China's rapid growth while preserving spiritual heritage.