Yu Nishimura's 'Dislocation' at Sadie Coles HQ Explores Displacement Through Painting
At Sadie Coles HQ, Yu Nishimura showcases his exhibition titled 'Dislocation,' featuring paintings that delve into themes of temporal, spatial, and psychological dislocation. These artworks are crafted through multiple layers of revision, interruption, and lingering traces, defying definitive conclusions and lingering between memory, perception, and reconstruction. Instead of illustrating specific places, the paintings invite the viewer's gaze and body to engage with the landscape, facilitating movement that alters the perception of space. This dynamic interaction fosters a subtle adjustment in the viewer's standpoint, where the concept of distance is perpetually redefined. Figures, landscapes, objects, and architectural elements seem to exist in a state of detachment, inhabiting ambiguous spaces.
Key facts
- Exhibition titled 'Dislocation' at Sadie Coles HQ
- Artist Yu Nishimura explores themes of displacement
- Paintings built through layers of revision, interruption, and residual marks
- Works resist fixed resolution, suspended between memory, perception, and reconstruction
- Place and landscape are present but not specific locations
- Viewer's gaze and body enter the landscape, moving closer and withdrawing
- Distance is continuously negotiated in the viewing experience
- Figures, landscapes, objects, and architectural details appear partially detached
Entities
Artists
- Yu Nishimura
Institutions
- Sadie Coles HQ