ARTFEED — Contemporary Art Intelligence

Yoshiko Shimada on Queering Imperialism and Chūpi-ren at 2026 Venice Biennale

exhibition · 2026-05-05

Japanese feminist and antiwar artist Yoshiko Shimada, known for excavating gendered scars of Japanese imperialism, will be included in the 2026 Venice Biennale curated by Koyo Kouoh under the title "In Minor Keys." In an interview with ArtAsiaPacific, Shimada discusses her collaborative practice with BuBu de la Madeleine, their use of drag and humor to critique Japan's imperial history, and the revival of the 1970s radical feminist group Chūpi-ren (Women's Union for Liberalization of Abortion and Legalization of the Pill). Shimada argues that Japan's patriarchal system continues to control women's bodies, noting that emergency contraception was only legalized in 2025 and abortion remains technically criminalized. She connects the comfort women system to broader structures of state-controlled exploitation of women's bodies, both abroad and at home. Shimada interprets "minor keys" as minoritarian and subversive, not necessarily quiet. The interview also touches on the disappearance of Chūpi-ren leader Enoki Misako in 1979 and renewed interest in the group, including a novel by Kirino Natsuo and a talk at Kyoto University attended by over 500 people.

Key facts

  • Yoshiko Shimada will be included in the 2026 Venice Biennale 'In Minor Keys' curated by Koyo Kouoh.
  • Shimada collaborates with BuBu de la Madeleine on works that 'queer imperialism' through irony and humor.
  • Shimada's exhibition 'It's Not Yours to Decide!' revives the 1970s feminist group Chūpi-ren.
  • Emergency contraception was legalized in Japan in 2025 after years of campaigning.
  • Abortion remains technically criminalized in Japan and requires spousal consent.
  • Chūpi-ren leader Enoki Misako disappeared in 1979 and her whereabouts remain unknown.
  • Novelist Kirino Natsuo published a work inspired by Enoki Misako in 2023.
  • Shimada and Kirino Natsuo spoke at Kyoto University with over 500 attendees.
  • Shimada argues that the comfort women system was part of a broader structure of state-controlled exploitation.
  • Shimada interprets 'minor keys' as minoritarian and subversive, not necessarily quiet.

Entities

Artists

  • Yoshiko Shimada
  • BuBu de la Madeleine
  • Koyo Kouoh
  • Enoki Misako
  • Kirino Natsuo
  • Fujime Yuki

Institutions

  • ArtAsiaPacific
  • Ota Fine Arts
  • Venice Biennale
  • Kyoto University
  • Mainichi News

Locations

  • Japan
  • Venice
  • Tokyo
  • Kyoto
  • Okinawa
  • Korea
  • Taiwan
  • Manchuria
  • Hokkaido
  • Gaza
  • Iran

Sources