Wolf Vostell's Calatayud Series on View in Milan
Studio d'Arte Cannaviello in Milan is presenting a solo exhibition of German Fluxus pioneer Wolf Vostell (1932-1998), focusing on his Calatayud series. The series comprises thirty wooden boxes resembling spectral burial niches, arranged like a cemetery. Each box contains newspaper clippings depicting atrocities committed by German, Russian, and American militias, sealed behind glass and covered with a lead curtain that reflects the viewer's image. Vostell incorporates concrete, a recurring material in his practice, to intensify feelings of alienation and timelessness. The title Calatayud references a town in Spain where a forced Jewish conversion occurred in 1413, framing the work as a precursor to 21st-century historiographical art. The exhibition explores themes of 20th-century tragedy and human brutality.
Key facts
- Wolf Vostell was a pioneer of European Fluxus.
- He was born in Leverkusen in 1932 and died in Berlin in 1998.
- The Calatayud series consists of thirty wooden boxes.
- The boxes are arranged like a cemetery and sealed with glass.
- Newspaper clippings show crimes by German, Russian, and American militias.
- A lead curtain covers each page, reflecting the viewer's image.
- Concrete is used in the series to evoke estrangement and timelessness.
- Calatayud refers to a 1413 forced Jewish conversion in Spain.
Entities
Artists
- Wolf Vostell
Institutions
- Studio d'Arte Cannaviello
Locations
- Milan
- Italy
- Leverkusen
- Berlin
- Calatayud
- Spain